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Evan Shively (Perseus271)

Edgar Colt

Vitor Miguel

Three separate but parallel stories of the U.S mortgage housing crisis of 2005 are told. Michael Burry, an eccentric ex-physician turned one-eyed Scion Capital hedge fund manager, has traded traditional office attire for shorts, bare feet and a Supercuts haircut. He believes that the US housing market is built on a bubble that will burst within the next few years. Autonomy within the company allows Burry to do largely as he pleases, so Burry proceeds to bet against the housing market with the banks, who are more than happy to accept his proposal for something that has never happened in American history. The banks believe that Burry is a crackpot and therefore are confident in that they will win the deal. Jared Vennett with Deutschebank gets wind of what Burry is doing and, as an investor believes he too can cash in on Burry's beliefs. An errant telephone call to FrontPoint Partners gets this information into the hands of Mark Baum, an idealist who is fed up with the corruption in the financial industry. Baum and his associates, who work at an arms length under Morgan Stanley, decide to join forces with Vennett despite not totally trusting him. In addition to Burry's information, they further believe that most of the mortgages are overrated by the bond agencies, with the banks collating all the sub-prime mortgages under AAA packages. Charlie Geller and Jamie Shipley, who are minor players in a $30 million start-up garage company called Brownfield, get a hold of Vennett's prospectus on the matter. Wanting in on the action but not having the official clout to play, they decide to call an old "friend", retired investment banker Ben Rickert, to help out. All three of these groups work on the premise that the banks are stupid and don't know what's going on, while for them to win, the general economy has to lose, which means the suffering of the general investor who trusts the financial institutions. That latter aspect may not sit well with Baum. Some of these assumptions may be incorrect and may be far more manipulative than they could have ever imagined, which in turn may throw curves into the process.

Justine, raised as a rigorous vegetarian, arrives as a freshman at the reputable Saint-Exupéry Veterinary School. As she leaves the family home, Justine abruptly moves into a mad new world of strange school traditions and vicious initiation tests, and before long, she must chew over her unshakable herbivorous beliefs. More and more, as Justine descends deeper and deeper into a hidden world of uncharted animalistic tendencies, an unprecedented and equally morbid craving for meat will transform her into a very different being, but now that her corporeal awakening is finally complete, is there a point in denying her hunger for raw flesh?

Julien Janvier lost his mother young, drifted apart from his working class father and ever closer to confident Sophie Kowalsky, the Polish class outsider. Their dares game, symbolized by an interchanged music-box, grows ever bolder, regardless of harm to others and each-other. In his college years, it even suspends their relationship and toys with their marriages, but they are drawn back to each-other irresistibly.

Reon is a pretty girlfriend of a man and has a job. All is well. Except until it is not. Her boyfriend dumps her and moves on. Her boss fires her and moves on. It is cruel and unjust world. Reo is a chief executive officer and gets girls. Reon and Reo literally run into each other. One becomes the other. They have to put up with their new bodies, personas and handle the interactions. It does not help that they have no love for their new existences.

Elaine, a beautiful young witch, is determined to find a man to love her. In her gothic Victorian apartment she makes spells and potions, and then picks up men and seduces them. However her spells work too well, and she ends up with a string of hapless victims. When she finally meets the man of her dreams, her desperation to be loved will drive her to the brink of insanity and murder. With a visual style that pays tribute to Technicolor thrillers of the 1970s, THE LOVE WITCH explores female fantasy and the repercussions of pathological narcissism.

Elizabeth's heart is broken. For solace, she drops in late at night a few times at Jeremy's diner for blueberry pie a la mode; they talk. Once, he watchers her sleep, her head on the counter. Abruptly, she leaves New York City to get away from her pain. She works a couple of jobs in Memphis. There, a heart-broken cop is drinking himself into oblivion, his ex occasionally showing up where he drinks and Lizzy works. Then, she's in Nevada, working at a casino where she uses her savings (she wants a car) to stake Leslie, a busted gambler, in a high rollers' game. After, Beth drives Leslie to Vegas where Leslie's estranged father lives. Broken relationships. What about Jeremy?

Sexually adventurous Cristina and her friend Vicky, who is bright but cautious, holiday in Barcelona where they meet the celebrated and wholly seductive painter, Juan Antonio. Vicky is not about to dive into a sexual adventure being committed to her forthcoming marriage. But Cristina is immediately captivated by Juan Antonio's free spirit and his romantic allure is enhanced when she hears the delicious details of his divorce from fellow artist, the tempestuous Maria Elena.

Smart-but-ineffectual journalist Dan "We use euphemisms!" cannot decide between his girlfriend, loving-but-clingy waitress Alice, or his lover cold-but-intellectual photographer Anna; herself indecisive between Dan and honest-but-thuggish "You're bloody gorgeous!" doctor Larry. The film puts the four leading characters in a box and strips them apart.

Murphy is an American cinema school student, living in Paris. He had a French girlfriend, called Electra, whom he dated for two years. One day, they met and had a no-strings-attached threesome with another woman, a young blonde Danish teenager named Omi, as a way to add some excitement to their love life. But later, he had sex with her behind Electra's back, as a result of which Omi became pregnant. This unplanned pregnancy ended the relationship between Murphy and Electra on a horrible note, and it forced Murphy to marry Omi. In one morning, Electra's mother, Nora, phones him to ask if he's heard from Electra, because she hasn't heard from her for three months, and given her daughter's suicidal tendencies. For the rest of this day, he recalls his past two years with Electra in a series of fragmented, nonlinear flashbacks; how they first met in Paris, their quick hookup, and their lives over the next two years which is filled with drug abuse, rough sex and tender moments.

Tokyo's nasty underside, seen primarily through the eyes of Oscar, a heavy drug user, whose sister Linda is a stripper. Oscar also has flashbacks to his childhood when trauma upends the siblings. Oscar's drug-fed hallucinations alter Tokyo's already-disconcerting nights, and after the police shoot him, he can float above and look down: on his sister's sorrow, on the rooms of a love hotel, and on life at even a molecular level. The spectrum's colors can be beautiful; it's people's colorless lives that can be ugly. And what of afterlife, is there more than a void?

Pregnant by music? Rachel, a young teenager from a fundamentalist Mormon community, believes in immaculate conception, while her fundamentally religious family regards her condition as an intolerable transgression. The search for the child's origins is a revelation for the 15-year-old.

At 16, Nick Twisp is wry about his teen funk: he lives in Oakland with his sex-addled mother; his father's child support is her meal ticket. While camping in Ukiah, Nick meets Sheeni: for him, it's love at first sight. Nick has to figure out how to get his father a job in Ukiah, then how to get sent to live with his father, then how to get close to Sheeni, whose religious parents may want her sent away from temptation to a boarding school. There's also Sheeni's all-American boyfriend to contend with. Overwhelmed by the challenges, Nick's about to give up when he conjures an alter ego who whispers revolt into his ear. Nick is not altogether hapless, but can this end well?

Much to his surprise, timid Joel Barish is shocked to discover that the love of his life, sparky Clementine, has had him erased from her memory. To pay her back in the same coin, poor Joel summons up the courage to undergo a painless but intricate medical procedure to do the same, utterly unaware that darkness is an essential part of the light. Now, as hurt and angry Joel's ugly recollections of Clementine gradually fade away, giving way to a soulless black void, suddenly, he begins having second thoughts, toying with the idea of stopping the irreversible process. In the end, is ignorance really bliss?

Kathryn Merteuil and Sebastian Valmont are seductive, manipulative step-siblings who get what they want when they want it. Kathryn makes a bet with Sebastian: Sebastian must bed Annette, daughter of the headmaster at their school, before the end of summer break. Annette has stated that she would wait until love and marriage to sleep with a man. If Kathryn wins, she gets Sebastian's vintage 1959 Jaguar Roadster. If Sebastian wins, he gets Kathryn, the only girl he knows he'll never have. Also in play is Cecile, a naïve girl whose mother had enlisted Kathryn to help her fit in at her new school. However, Kathryn (with Sebastian's help) plans to ruin Cecile's reputation as revenge on Kat's ex-boyfriend, who left her for Cecile.

A petty thief posing as an actor is brought to Los Angeles for an unlikely audition and finds himself in the middle of a murder investigation along with his high school dream girl and a detective who's been training him for his upcoming role...

2005 crime-comedy film directed by Shane Black

Early thirty-something American Jesse Wallace is in a Paris bookstore, the last stop on a tour to promote his best selling book, This Time. Although he is vague to reporters about the source material for the book, it is about his chance encounter nine years earlier on June 15-16, 1994 with a Parisienne named Celine, and the memorable and romantic day and evening they spent together in Vienna. At the end of their encounter at the Vienna train station, which is also how the book ends, they, not providing contact information to the other, vowed to meet each other again in exactly six months at that very spot. As the media scrum at the bookstore nears its conclusion, Jesse spots Celine in the crowd, she who only found out about the book when she earlier saw his photograph promoting this public appearance. Much like their previous encounter, Jesse and Celine, who is now an environmental activist, decide to spend time together until he is supposed to catch his flight back to New York, this time only being about an hour. Beyond the issue of the six month meeting, what has happened in their lives in the intervening nine years, and their current lives, they once again talk about their philosophies of life and love, this time with the knowledge of their day together and how it shaped what has happened to them.

Growing up in the Redneck country isn't easy for shy Jess Aarons, with a father struggling to make ends meet, three arrogant bigger sisters and a 'baby' he has to take to school and watches generally. In class he bonds with cheeky newcomer Leslie Burke, whose scientist parents moved into the neighboring villa, despite her taking his only local prestige by beating him in the race. Wandered off after school in the woods, they invent a fantasy land Terabithia, where they can be the superheroes of imaginary feral races. Together they also stand up against school bullies, but then tragedy strikes and Jess must adjust again.

1994 American crime film directed by Quentin Tarantino

When chemistry teacher Walter White is diagnosed with Stage III cancer and given only two years to live, he decides he has nothing to lose. He lives with his teenage son, who has cerebral palsy, and his wife, in New Mexico. Determined to ensure that his family will have a secure future, Walt embarks on a career of drugs and crime. He proves to be remarkably proficient in this new world as he begins manufacturing and selling methamphetamine with one of his former students. The series tracks the impacts of a fatal diagnosis on a regular, hard working man, and explores how a fatal diagnosis affects his morality and transforms him into a major player of the drug trade.

Physical and psychological horrors affect a decomposing family, workers and residents of an insane asylum, a coven of witches, a cast of circus freaks, the employees and guests at a struggling hotel, a family who moved into a mysterious farmhouse, the members of a small suburb in Michigan, the surviving members of the Apocalypse and the counselors of a creepy summer camp in this haunting anthology series, focusing on the themes of infidelity, sanity, oppression, discrimination, addiction and exploitation.

American anthology horror television series

Set in a world only minutes from our own, "Black Mirror", a UK and USA non-hosted anthology series; unveils how modern technologies can backfire and be used against their makers, every episode set in a slightly different reality with different characters combating different types of technologies. The series ran from 2011 until 2019.

In the high-tech gold rush of modern Silicon Valley, the people most qualified to succeed are the least capable of handling success. A comedy partially inspired by Mike Judge's own experiences as a Silicon Valley engineer in the late 1980s.

Meet the wildly dysfunctional Bluth family. This family was once at the height of real estate development in Orange County, California. But when the family business - the Bluth Company - goes bust, they're suddenly found penniless with their assets frozen. They move into their last remaining asset - the model home left over from their latest housing tract. Their luxury vehicles are replaced with a reminder of the family's former wealth: 'the stair car that accompanied their private jet'. The patriarch of the family is George Bluth - he's now in prison, and loving every minute of it. His wife Lucille and daughter Lindsay are spoiled socialites who can't handle getting kicked out of family restaurants. His son Buster is in his mid 30's and lives at home. His son George Oscar Bluth is a magician who started a group to get magicians to be taken seriously, and gets kicked out when his own tricks are revealed. Lindsay is married to a man named Tobias Funke, once a psychiatrist, who decides to become an actor. The only sane member of the family: Michael Bluth, along with his son George Michael, want nothing to do with the family business. But one bizarre circumstance after another keeps Michael and George Michael from leaving their eccentric family.

With his insightful wit and fearless candor, comedian John Oliver, formerly of the

American late-night talk and news satire television program hosted by comedian John Oliver

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