Jordan

Bruna Guedes

Husain Kothari

FRNK

Uendi Prifti

Abdul Hasib

Loughlin Sullivan

Delaney Knopp

Auriel W

Blake Molmen

Dani Shahar

Luis Javier Campos nieto

My name is Katniss Everdeen.Why am I not dead?I should be dead.Katniss Everdeen, girl on fire, has survived, even though her home has been destroyed. Gale has escaped. Katniss's family is safe. Peeta has been captured by the Capitol. District 13 really does exist. There are rebels. There are new leaders. A revolution is unfolding.It is by design that Katniss was rescued from the arena in the cruel and haunting Quarter Quell, and it is by design that she has long been part of the revolution without knowing it. District 13 has come out of the shadows and is plotting to overthrow the Capitol. Everyone, it seems, has had a hand in the carefully laid plans - except Katniss.The success of the rebellion hinges on Katniss's willingness to be a pawn, to accept responsibility for countless lives, and to change the course of the future of Panem. To do this, she must put aside her feelings of anger and distrust. She must become the rebels' Mockingjay - no matter what the personal cost.

I like this book because it is a moving story and has managed to tell about world war 2. The characters are imprudent because in Chapter( Monday, November 9,1942) Peter turned sixteen he’s brave for being a teenager and having to hide in a secret. The story is exceptional because in chapter(May 1945), Anne’s father was given Anne’s notebooks and stories about her experience living in the secret annex for two years. The characters are hopeful because in chapter(Tuesday, May 16,1944) they had a crush on each other and they hoped to be able to live their lives in the midst of hiding. The father in this story is very moving and strong because in the end of the story on September 3 1946, he lost his whole family and he had worked so hard to keep them in hiding, he was a very good father and a very loving husband. The reason why there’s only four stars is because the ending is unfavorable. It’s unfavorable because in chapter (Friday, July 21,1944) Anne is not able to live a long life and she dies of sickness and a broken heart.

The Hunger Games Trilogy: these are my issues, let me show you them.Most of the good fiction/fantasy/scifi literature these days is coming out of the Young Adult and Juvenile areas, so every six months or so I round up the new stuff and go on a reading spree. Around two years ago that included the Hunger Games trilogy (thanks to an ARC copy of Mockingjay). I did a review on that for my work newsletter which made me think about it for a good long while. (It wasn’t my best review because we’re encouraged not to say anything bad about the books, the object being to get people to read, not to drive them away.)The first book, Hunger Games, is awesome. Beyond awesome. I loved it and I greatly encourage anyone who hasn’t read it to pick it up now and get to reading! Engaging characters, tight (in both senses of the word) narrative, a plot that, while being far from original, seems shiny and new for all the different spins Suzanne Collins puts on it. It draws out your emotions and engages them, keeps you on the edge of your seat. Highly, highly recommended.The problem is, it’s best if you stop there. I sure wish the story had. At least Hunger Games stands on its own, and after reading the other two in the trilogy, I know that I can go back and just reread the first one and never have to touch the other two to have a complete fulfilling story.That’s not to say that the second book is terrible. Catching Fire is actually pretty good. Not up to the same standards as the first book - it does feel like exactly what it is, the middle book in a trilogy - but not a bad read at all. Basically it both asks and answers the age-old question, “If you could go back and do it all over, knowing everything you do now, would you do anything differently?” Which is intriguing, definitely. But at the same time, it is kind of a rehash of the first book, which is what makes it less engaging. The characters, the politics and the good narrative stop it from feeling tired and dull, and again, it’s a good read, but it’s lost its originality and some of the excitement that made the first book so entertaining.And then there’s the real problem; Catching Fire isn’t a complete narrative on its own. To know the whole story you have to read the third book, Mockingjay.Oh man, Mockingjay. The book that had all the potential to be a wonderful, heart-racing, utterly amazing finale to the trilogy. So much potential; so much fail. The ideas were there, but the execution was...just that. An execution. It’s like everything that would’ve made it a phenomenal book was taken out back and double-tapped.Even a couple years later I’m still somewhat angry when I think about it. Still so disappointed. I keep asking myself, did the author have a word limit she had to adhere to? Was she over her deadline by too much and had to rush? Was she simply bored/tired of this world? What on earth could’ve made her do this?Going against one of the major rules of good writing, Mockingjay is an exercise in telling instead of showing. Nothing big happens in the book that the author isn’t telling us about it instead of giving us the wonderful descriptions of the previous two books. With very few exceptions, events happen off screen and we get an info dump explaining them. That alone was just terrible to read. But then there’s poor Katniss.Remember the spitfire, kick-ass woman of the previous two books, the one who was determined to do whatever she could to survive and thus ensure her family’s survival? Yeah, well, say goodbye to her before reading this last book because you won’t be seeing much of her again.It’s like she just floats through events, letting things happen to her and barely reacting. She just lets herself be used, over and over, turns into something akin to a leaf in the wind. The few decisions she does make often don’t make any sort of good sense and we’re left wondering if this is really Katniss or a robot in a Katniss skin.The introduction of new characters should help things, but the narrative fails there too. The characters (heck, even the old ones we’re familiar with!) aren’t given nearly enough fleshing out; they’re just there. They don’t feel as real, as three dimensional as characters did in the last two books.The combination of all that leaves us with a flat, lifeless book and what amounts to a boring read. You want to get excited, I mean, there are serious, emotional things going on! Or at least they’re supposed to be. Hard to say when you don’t feel it and it’s just words on a page. The originality, excitement and all the drive behind the first two books is just gone. Vanished. And it’s painful to see.Yeah, two years gone and I’m still not over that. Such a let-down.I still encourage people to pick up The Hunger Games, but I barely give the next two in the trilogy more than a cursory mention. I reserve all my glowing praise for the first book and try to pretend the third never happened.

I had removed this review, which violates Article 2 of the Terms of Use:You agree not to post User Content that: (i) may create a risk of harm, loss, physical or mental injury, emotional distress, death, disability, disfigurement, or physical or mental illness to you, to any other person, or to any animal.Looking at the comment thread, it is abundantly clear that the review not only may, but indeed has caused emotional distress to several Potter fans. I would like to offer my apologies to these unfortunate people, who had every right to expect better service from Goodreads. But, despite the above, I have decided on mature consideration that I will attempt an experiment: I am reinstating the original review, hiding the dangerous and inflammatory content inside a spoiler tag. If you are a person easily offended by negative comments about Harry Potter and still decide to click it, then you have only yourself to blame. You have been warned.(view spoiler)[I got into an argument the other day with an articulate 17 year old Harry Potter fan - let's call him D - who wanted to know why I was being so nasty in my review of Deathly Hallows. What was wrong with it? I offered various structural criticisms: the ending is abrupt and unconvincing, the subplot with the Horcruxes has not been adequately foreshadowed in the earlier volumes, and the book as a whole is overlong and boring. D expressed surprise that I could call Deathly Hallows boring, when I'd given five stars to Madame Bovary and Animal Farm, both of which he considered far duller. The discussion continued for some time. In the end, I said I would write a review summarising my objections to the series as a whole. Here it is.As I said to D, it's not the books or the author. The early Potter books are cute and entertaining, and J.K. Rowling seems like a nice person - if someone's going to scoop the literary Powerball jackpot, why not her? What I very strongly object to is the way the books have been marketed. About 10 years ago, it seems to me, some clever people figured out a new marketing strategy, which they first applied to Potter; when that came to an end, the same methods were used for Twilight. Both series have enjoyed a level of success which is utterly disproportionate to their quality, and which is also unprecedented in literary history. Twilight clearly follows Potter; I've had several discussions about what preceded Potter, and the answer, everyone seems to agree, is that there was no earlier success story of this kind. Before Potter, there was no YA series of dubious merit that absolutely everyone read. I think it's uncontroversial that Potter, in terms of literary quality, is better than Twilight, but Twilight has been even more successful. At one point, the four volumes occupied the top four spots in the New York Times bestseller list. On Goodreads, nearly half of the top 50 reviews are of Twilight books. This is an absurd and unnatural state of affairs. Even though Twilight may not be quite as bad as is sometimes made out - I'm one of many people who have tried to defend it - there's no way it deserves this level of attention.So why is everyone reading it, and why, before that, was everyone reading Potter? As I said, I think it's primarily about the marketing, though I wish I was more sure about the details. Here, at any rate, are some thoughts. First, the publishers are aggressively using economies of scale and deals with third parties. They print very large numbers of copies, and they work together with movie studios, game companies and merchandisers to cross-promote them. I think it's particularly important that a large proportion of the books are sold, not at bookstores, but at normal supermarkets. It's well known that the cover price is usually marked down to the point where the supermarket is not in fact making any profit; they have discovered that they can successfully treat it as a loss leader. This is causing great pain to independent bookstores. Some of them, I have read, have adopted the desperate expedient of buying copies at supermarkets and then reselling them. Second, let's look at the content and style. Even though Potter and Twilight are fairly different in some ways, they also have many strong similarities. Above all, they are extremely easy to read, at every level. The vocabulary is unchallenging; the sentences are short and simple; most characters are one-dimensional stereotypes; the story is uncomplicatedly plot-driven; there are few references to other works of literature. You can read these books if you're tired, if you're sleepy, if you have poor reading skills, if you've never read anything else. They consequently have a very large potential audience.Third, they describe a comforting, emasculated world in which most of the things that make our own world so difficult and unpleasant have been removed. Most strikingly, there is no sex; in Harry Potter, which is supposed to be about fairly normal teens, no one masturbates, no girls get pregnant, none of them are labelled sluts because they've had sex with more than one boy (sometimes one is enough, for that matter), no one gets their heart broken and drops out of school or starts taking drugs as a result, no one is stuck in a dead-end relationship that they wish they could escape from, but can't. The worst thing that happens in either series is the sequence in New Moon where Edward temporarily leaves Bella. Meyer notoriously doesn't describe Bella's feelings at all, but just leaves several pages blank. Once, in fact not so long ago, most adults would have been embarrassed to be seen reading YA literature of this kind; to start with, the comforting word "YA" hadn't been invented yet, and they would have been reading children's books. Somehow, there's been a shift in standards. You look around you on a bus to see what people are reading, and you can be pretty sure you'll see at least a couple of people over 20 engrossed in Potter or Twilight. It's odd that this has happened, and I wish I understood why.In conclusion, I couldn't help being struck by the two books D chose to contrast against Potter. D, Madame Bovary is going to outlast both of these authors because Emma is a real person who experiences the crazy and contradictory emotions that real people experience when they are very unhappy, and as a result she behaves in a crazy and contradictory way; also, Flaubert, unlike Rowling and Meyer, took a great deal of trouble over his prose, and created some of the most beautiful and ironic passages in world literature. There aren't many books I'd call masterpieces, but this is one of them. And finally, Animal Farm is indeed an allegory of the Russian Revolution. More importantly, though, it's about how smart, unscrupulous people manipulate trusting, weak people. Tens of millions of people are reading Potter and Twilight, not because the books are well-written or interesting, but because the readers have been manipulated into buying them by the Napoleons and Squealers of this world. That's what I'm objecting to. Think about it for a moment. (hide spoiler)]

Players choose from a selection of mythical gods, join session-based arena combat, and use custom powers and team tactics against other player-controlled gods a...

In the near future, the company "The Union" provides expensive prosthesis to improve the lives of the clients. However, the company sends repo men to retrieve the artificial organs for those that do not pay the installments. The former soldiers Remy and his best friend Jake are among the best repo men of the company; however Remy's job cost his marriage and his wife Carol leaves him. When Remy is ready to request to be transferred to the sales department expecting to save his marriage, he has an accident with a defibrillator and he needs heart transplantation. The prosthesis is very expensive and Remy changes his behavior after the medical procedure, and he is no longer capable of chasing the debtors. Meanwhile Remy helps the singer Beth, who owes a large amount to The Union, and sooner they are chased by the repo men.

No one can escape from the aggressive predatory Xenomorphs, and shortly after the Antarctic bloodshed in

2007 film directed by Colin Strause and Greg Strause

In a near future, the mercenary Toorop is hired by the powerful criminal Gorsky to take a woman named Aurora from a Noelite Convent in Central Asia to New York. In return, he will receive a large amount of money and a clear passport. Toorop joins Aurora and her guardian Sister Rebeka as they cross the dangerous Russian landscape chased by mercenaries that also want Aurora. On their journey, Toorop discovers that Aurora has special abilities and once in New York, they see on the news that the Noelite Convent has just been bombed. When Aurora discloses that she is a virgin and pregnant with twins, Toorop realizes that there is something sinister behind his mission and that he and Sister Rebeka are not part of Gorsky's plans.

A group of young American ex-pats with telekinetic and clairvoyant abilities are hiding from a clandestine U.S. government agency. They must utilize their different talents and band together for a final job enabling them to escape the agency forever.

Based on the classic sci-fi novel by H.G. Wells, scientist and inventor, Alexander Hartdegen, is determined to prove that time travel is possible. His determination is turned to desperation by a personal tragedy that now drives him to want to change the past. Testing his theories with a time machine of his own invention, Hartdegen is hurtled 800,000 years into the future, where he discovers that mankind has divided into the hunter - and the hunted.

Set in a dystopian future, a group of people work in a facility, essentially as slaves. They do have an incentive though - a regular lottery is held and one of them gets to leave the facility and its restrictions and move to The Island, a paradise. Lincoln Six Echo is one of the workers in the facility and he is infatuated with Jordan Two Delta. His life is fairly uneventful and mundane until Jordan Two Delta gets selected to go to The Island. Then Lincoln starts to discover the truth about the facility and The Island.

Extraordinary teen John Smith (Pettyfer) is a fugitive on the run from ruthless enemies sent to destroy him. Changing his identity, moving from town to town with his guardian Henri (Olyphant), John is always the new kid with no ties to his past. In the small Ohio town he now calls home, John encounters unexpected, life-changing events - his first love (Agron), powerful new abilities and a connection to the others who share his incredible destiny.

In 2078, in the wake of a global pandemic of vampirism, a sub-species of disease-modified humans find themselves possessing extraordinary agility, enhanced strength, incredible stamina, and acute intelligence. As a result, humankind is now pushed to the brink of a brutal, worldwide civil war. Now, against the backdrop of the imminent confrontation between the government and the "others", Ultraviolet, an infected beautiful Haemophage, finds herself caught in the middle, protecting Six, a helpless nine-year-old boy who has been marked for death by the military forces of Daxus. Can Ultraviolet destroy Daxus' ultimate anti-Haemophage weapon?

There is not one universe, but there are many, which is a multiverse. Supposing you are just one person, there are many other versions of you in the other universes, there are ways to travel, but only a police agency, MVA, can travel only for police procedures. Gabriel Yulaw is a former MVA agent, who killed another version of himself in self-defense. It made the other versions of him stronger. When Yulaw found out about this, he became power-hungry killing the 122 other versions for two years. After killing Lawless and getting captured by his former partner Roedecker and a new MVA agent Funsch, Yulaw managed to escape the prison and is trying to kill his last target, Gabe Law who is a police officer. He is also at Yulaw's strength. Roedecker and Funsch now have to arrest Yulaw before he can kill Gabe. There is a possibility that the universe could die or make Yulaw invincible. After encountering Yulaw for the first time, Gabe thought that it was his split personality, but it wasn't. Will Gabe be able to confront Yulaw before or after Yulaw ruins his life?

Paulie, an intelligent parrot who actually talks, relates the story of his struggle to a Russian immigrant who works as a janitor at the research institute where he is housed and neglected. Paulies story begins many years earlier when he is given as a gift to a little girl who stutters. Eventually, he teaches the girl to speak correctly but is taken away by her father because he believes the girl cannot distinguish fantasy from reality because she believes the bird can talk. Paulie goes through a series of adventures with a pawn shop owner, an ageing widow, a Mexican-American troubadour and a would be thief before being taken to the institute where he now lives.

Based on the beloved children's novel by E.B. White, a young girl named Fern rescues a runty piglet, raises it as her own and names him Wilbur. However, after Wilbur grows into a pig, she is compelled to sell him to her Uncle Homer Zuckerman down the street. At Zuckerman's barn, Wilbur meets a host of animals and later learns from them that come winter, he will be slaughtered for food. Fearing for his life, Charlotte, a gentle and wise spider whom befriended the lonely Wilbur, vows to save his life.

Nim Rusoe is a girl who joins her father, a scientist, when he does research on marine life on an island. It's just the two of them but she spends her time making friends with all the animals she encounters, chatting on the computer and reading the adventure books of Alex Rover. When her father goes to do some research but when a storm strikes the island he doesn't come back, she gets worried and frightened. She then e-mails Alex Rover hoping that he will come but what she doesn't know is that Alex Rover is a woman who is agoraphobic and germaphobic. But her creation comes to life and eggs her to go. Unfortunately she has never gone anywhere before and is denied her necessities like her sanitary gel by the customs officer at the airport. In the meantime, Nim tries to be strong while waiting for Alex to arrive.

2008 film by Mark Levin, Jennifer Flackett

The world is divided into four kingdoms, each represented by the element they harness, and peace has lasted throughout the realms of Water, Air, Earth, and Fire under the supervision of the Avatar, a link to the spirit world and the only being capable of mastering the use of all four elements. When young Avatar Aang disappears, the Fire Nation launches an attack to eradicate all members of the Air Nomads to prevent interference in their future plans for world domination. 100 years pass and current Fire Lord Ozai continues to conquer and imprison anyone with elemental "bending" abilities in the Earth and Water Kingdoms, while siblings Katara and Sokka from a Southern Water Tribe find a mysterious boy trapped beneath the ice outside their village. Upon rescuing him, he reveals himself to be Aang, Avatar and last of the Air Nomads. Swearing to protect the Avatar, Katara and Sokka journey with him to the Northern Water Kingdom in his quest to master "Waterbending" and eventually fulfill his destiny of once again restoring peace to the world. But as they inch nearer to their goal, the group must evade Prince Zuko, the exiled son of Lord Ozai, Commander Zhao, the Fire Nation's military leader, and the tyrannical onslaught of the evil Fire Lord himself.

A young girl, Babydoll, is locked away in a mental asylum by her abusive stepfather, where she will undergo a lobotomy in five days' time. Faced with unimaginable odds, she retreats to a fantastical world in her imagination where she and four other female asylum inmates plot to escape the facility. The line between reality and fantasy blurs as Babydoll and the others, plus a mysterious guide, fight to retrieve the five items that will let them break free from their captors in time.

Welcome to a world where time has become the ultimate currency. You stop aging at 25, but there's a catch: you're genetically-engineered to live only one more year, unless you can buy your way out of it. The rich "earn" decades at a time (remaining at age 25), becoming essentially immortal, while the rest beg, borrow or steal enough hours to make it through the day. When a man from the wrong side of the tracks is falsely accused of murder, he is forced to go on the run with a beautiful hostage. Living minute to minute, the duo's love becomes a powerful tool in their war against the system.

Toxic waste bubbles in a ship waiting permission to dock in Odessa. Frank Martin turns down a job in Marseilles, referring it to a pal. A short time later, the pal, wounded by gunfire, crashes his car into Frank's living room and dies, leaving a young woman in the back seat. The employer of the dead man shows up, forces Frank to take the job, snaps a bracelet on his wrist that will explode if Frank gets more than 75 feet from his car, and sends Frank on a journey east with the young woman and a trunk full of something. She's Valentina, nearly mute. Can Frank figure out what's going on, deliver the package, and escape alive? And what does the ship have to do with it?

Barney Ross leads the "Expendables", a band of highly skilled mercenaries including knife enthusiast Lee Christmas, martial arts expert Yin Yang, heavy weapons specialist Hale Caesar, demolitionist Toll Road and loose-cannon sniper Gunner Jensen. When the group is commissioned by the mysterious Mr. Church to assassinate the merciless dictator of a small South American island, Barney and Lee head to the remote locale to scout out their opposition. Once there, they meet with local rebel Sandra and discover the true nature of the conflict engulfing the city. When they escape the island and Sandra stays behind, Ross must choose to either walk away and save his own life - or attempt a suicidal rescue mission that might just save his soul.

Death Row guards at a penitentiary, in the 1930's, have a moral dilemma with their job when they discover one of their prisoners, a convicted murderer, has a special gift.

1999 American drama film directed by Frank Darabont

Alice, an unpretentious and individual 19-year-old, is betrothed to a dunce of an English nobleman. At her engagement party, she escapes the crowd to consider whether to go through with the marriage and falls down a hole in the garden after spotting an unusual rabbit. Arriving in a strange and surreal place called "Underland," she finds herself in a world that resembles the nightmares she had as a child, filled with talking animals, villainous queens and knights, and frumious bandersnatches. Alice realizes that she is there for a reason--to conquer the horrific Jabberwocky and restore the rightful queen to her throne.

Animal activists invade a laboratory with the intention of releasing chimpanzees that are undergoing experimentation, infected by a virus -a virus that causes rage. The naive activists ignore the pleas of a scientist to keep the cages locked, with disastrous results. Twenty-eight days later, our protagonist, Jim, wakes up from a coma, alone, in an abandoned hospital. He begins to seek out anyone else to find London is deserted, apparently without a living soul. After finding a church, which had become inhabited by zombie like humans intent on his demise, he runs for his life. Selena and Mark rescue him from the horde and bring him up to date on the mass carnage and horror as all of London tore itself apart. This is a tale of survival and ultimately, heroics, with nice subtext about mankind's savage nature.

As any detective can tell you, investigating missing property or deaths is comparatively easy compared to elusive missing people. However in New York City, there is a special unit of the FBI that is designed to find them. Using the vast resources of their bureau, the team, lead by Agent Jack Malone, race against time in the tight 72 hour window after a disappearance while hope for a recovery is still typically possible.

In the Los Angeles office of the Federal Bureau of Investigation, Special Agent Don Eppes and his team investigate critical and baffling crimes with a special edge. That advantage is Don's brother, Charles Eppes, a brilliant universalist mathematician who uses the science of mathematics with its complex equations to ferret out the most tricky criminals. With this team, the forces of evil learn their number is up.

American crime drama television series (2005–2010)

Black comedy about a group of eccentric individuals in an out-patient program for suicide survivors.

An American socialite runs off to join a Renaissance Faire after her wedding goes awry.

Detective Jane Rizzoli and Chief Medical Examiner Dr. Maura Isles team up to solve crimes in Boston.

True crime podcaster Poppy Parnell is called to investigate the case of convicted killer Warren Cave, a man she incriminated after he murdered the father of two identical twins. Soon, Parnell must decide where the lines between guilty and innocent lie when Cave confesses to the fact that he was framed for the crime.

A group of misfit lawyers form an unconventional firm.

American legal comedy-drama television series created by David E. Kelley for NBC

THE BIG LEAP is a big-hearted, rowdy dramedy about a group of diverse, down-on-their-luck characters attempting to change their lives by participating in a potentially life-ruining reality dance show that builds to a live production of Swan Lake. What this group of underdogs lack in dance training, they make up for with their edge, wit, and desire to reimagine an iconic story to fit their own mold. THE BIG LEAP is a modern tale about second chances and chasing your dreams and taking back what's yours. Inspired by a U.K. reality format, THE BIG LEAP is an innovative show-within-a-show that takes viewers on a journey of self-acceptance, body-positivity, and empowerment at any age.

A grieving therapist starts to tell his clients exactly what he thinks. Ignoring his training and ethics, he finds himself making huge changes to people's lives - including his own.

Dr. Max Goodwin is brilliant, charming -- and the new medical director at America's oldest public hospital. While he's set on tearing down the bureaucracy to provide exceptional care, the doctors and staff are not so sure. They've heard this before, and no one else has delivered on those promises. Not taking "no" for an answer, Max disrupts the status quo and proves he will stop at nothing to breathe new life into this understaffed, underfunded and underappreciated hospital -- the only one in the world capable of treating Ebola patients, prisoners from Rikers Island and the president of the United States all under one roof -- and return it to the glory that put it on the map. Inspired by Bellevue in New York City.

American medical drama television series from 2018

A young chef who returns to Chicago to run the family restaurant.

Deputy Police Chief Brenda Leigh Johnson, formerly Atlanta police officer and CIA-trained interrogator, is given the opportunity to run her own division of elite officers of the Los Angeles Police Department. Her unusual procedure for obtaining confessions, blatant disregard for politics, and southern accent make her a marked woman. However, with all the bluster and bravado, she still maintains her title, The Closer.

American television police procedural TV series

Set in the idyllic but fragile beach paradise of sunny 1980s San Diego, Physical is a half-hour dark comedy following Sheila Rubin, a quietly tortured, seemingly dutiful housewife supporting her smart but controversial husband's bid for state assembly. But behind closed doors, Sheila has her own darkly funny take on life she rarely lets the world see. She's also battling a complex set of personal demons relating to her self-image; that is until she finds release through the unlikeliest source: the world of aerobics. At first hooked on the exercise itself, Sheila's real road to empowerment comes when she discovers a way to merge this newfound passion with the burgeoning technology of videotape to start a revolutionary business. The series tracks her epic journey from a stifled, overlooked enabler to a powerful, confident economic force, as Sheila transforms into someone we take for granted today but was entirely radical at the time- the female lifestyle guru.

A psychotherapist who recently lost his wife, finds himself held prisoner by a serial killer with an unusual request, to curb his homicidal urges.

Having lost her medical license in the aftermath of a family tragedy, Megan Hunt M.D. joined the medical examiners and proved herself a forensic genius. Yet even diplomatic Medico-legal Investigator Pete Dunlop can't prevent her arrogant attitude and total disregard for any authority or social norm to cause grave aggravation all around. Still, as long as the perpetrators suffer most, the bulldozer approach pays off on the balance.

A private detective teams up with an ex-cop to solve a kidnapping case in Montana.

An angel offers a jaded Oklahoma City police detective the chance to redeem her life.

A look at the untold personal story of FBI agent Clarice Starling, as she returns to the field about a year after the events of

horror television series by Alex Kurtzman

Ron Koslow's updated version of the fairytale has a double focus: the relationship between Vincent,(a mythic, noble man-beast) and Catherine (an asst DA in New York); and a secret Utopian society of outcasts living in an underground sanctuary where Vincent is protected and loved. Through an emotional bond connecting Vincent to Catherine, he comes to be her protector as well as the man she loves. The series follows the developing relationship between them and nicely fleshes out the underground world of labyrinth tunnels, mystical waterfalls, and people who have come together to form a loving and nurturing family.

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