Jordan

Bruna Guedes

Husain Kothari

FRNK

Uendi Prifti

Abdul Hasib

Loughlin Sullivan

Delaney Knopp

Auriel W

Blake Molmen

Dani Shahar

Luis Javier Campos nieto

"I shall tell you where we are. We're in the most extreme and utter region of the human mind. A dim, subconscious underworld. A radiant abyss where men meet themselves. Hell, Netley. We're in Hell." Having proved himself peerless in the arena of reinterpreting superheroes, Alan Moore turned his ever-incisive eye to the squalid, enigmatic world of Jack the Ripper and the Whitechapel murders of 1888. Weighing in at 576 pages, From Hell is certainly the most epic of Moore's works and remarkably and is possibly his finest effort yet in a career punctuated by such glorious highlights as Watchmen and V for Vendetta . Going beyond the myriad existing theories, which range from the sublime to the ridiculous, Moore presents an ingenious take on the slaughter. His Ripper's brutal activities are the epicentre of a conspiracy involving the very heart of the British Establishment, including the Freemasons and The Royal Family. A popular claim, which is transformed through Moore's exquisite and thoroughly gripping vision, of the Ripper crimes being the womb from which the 20th century, so enmeshed in the celebrity culture of violence, received its shocking, visceral birth. Bolstered by meticulous research that encompasses a wide spectrum of Ripper studies and myths and coupled with his ability to evoke sympathies in such monstrous characters, Moore has created perhaps the finest examination of the Ripper legacy, observing far beyond society's obsessive need to expose Evil's visage. Ultimately, as Moore observes, Jack's identity and his actions are inconsequential to the manner in which society embraced the Fear: "It's about us. It's about our minds and how they dance. Jack mirrors our hysterias. Faceless, he is the receptacle for each new social panic." Eddie Campbell's stunning black and white artwork, replete with a scratchy, dirty sheen, is perfectly matched to the often-unshakeable intensity of Moore's writing. Between them, each murder is rendered in horrifying detail, providing the book's most unnerving scenes, made more so in uncomfortable, yet lyrical moments as when the villain embraces an eviscerated corpse, craving understanding; pleading that they "are wed in legend, inextricable within eternity". Though technically a comic, the term hardly begins to describe From Hell's inimitable grandeur and finesse, as it takes the medium to fresh heights of ingenuity and craftsmanship. Moore and Campbell's autopsy on the emaciated corpse of the Ripper myth has divulged a deeply disturbing yet undeniably captivating masterpiece. - Danny Graydon

From the author of the underground sensation Fight Club comes this wickedly incisive second novel, a mesmerizing, unnerving, and hilarious vision of cult and post-cult life.Tender Branson—last surviving member of the so-called Creedish Death Cult—is dictating his life story into the flight recorder of Flight 2039, cruising on autopilot at 39,000 feet somewhere over the Pacific Ocean. He is all alone in the airplane, which will crash shortly into the vast Australian outback. Before it does, he will unfold the tale of his journey from an obedient Creedish child and humble domestic servant to an ultra-buffed, steroid- and collagen-packed media messiah, author of a best-selling autobiography, Saved from Salvation, and the even better selling Book of Very Common Prayer (The Prayer to Delay Orgasm, The Prayer to Prevent Hair Loss, The Prayer to Silence Car Alarms). He'll reveal the truth of his tortured romance with the elusive and prescient Fertility Hollis, share his insight that "the only difference between suicide and martyrdom is press coverage," and deny responsibility for the Tender Branson Sensitive Materials Sanitary Landfill, a 20,000-acre repository for the nation's outdated pornography. Among other matters both bizarre and trenchant.Not since Kurt Vonnegut's Mother Night and Jerzy Kosinski's Being There has there been as dark and telling a satire on the wages of fame and the bedrock lunacy of the modern world. Unpredictable, compelling, and unforgettable, Survivor is Chuck Palahniuk at his deadpan peak; and it cements his place as one of the most original writers in fiction today.

Librarian's Note: For an alternate cover edition of the same ISBN, click here.This beloved story -first published more than fifty years ago- introduces readers to Milo and his adventures in the Lands Beyond. For Milo, everything’s a bore. When a tollbooth mysteriously appears in his room, he drives through only because he’s got nothing better to do. But on the other side, things seem different. Milo visits the Island of Conclusions (you get there by jumping), learns about time from a ticking watchdog named Tock, and even embarks on a quest to rescue Rhyme and Reason! Somewhere along the way, Milo realizes something astonishing. Life is far from dull. In fact, it’s exciting beyond his wildest dreams. . . .

The Neon Bible tells the story of David, a young boy growing up in a small Southern town in the 1940s. David's voice is perfectly calibrated, disarmingly funny, sad, shrewd, gathering force from page to page with an emotional directness that never lapses into sentimentality. Through it we share his awkward, painful, universally recognizable encounter with first love, we participate in boy evangelist Bobbie Lee Taylor's revival, we meet the pious, bigoted townspeople. From the opening lines of The Neon Bible, David is fully alive, naive yet sharply observant, drawing us into his world through the sure artistry of John Kennedy Toole.John Kennedy Toole, who won a posthumous Pulitzer Prize for his best-selling comic masterpiece A Confederacy of Dunces, wrote The Neon Bible for a literary contest at the age of sixteen. The manuscript languished in a drawer and became the subject of a legal battle among Toole's heirs. It was only in 1989, thirty-five years after it was written and twenty years after Toole's suicide at thirty-one, that this amazingly accomplished and evocative novel was freed for publication.

F. Scott Fitzgerald's stories defined the 1920s 'Jazz Age' generation, with their glittering dreams and tarnished hopes. In these three tales of a fragile recovery, a cut-glass bowl and a life lost, Fitzgerald portrays, in exquisite prose and with deep human sympathy, the idealism of youth and the ravages of success.This book includes Babylon Revisited, The Cut-Glass Bowl and The Lost Decade.

Years ago, when House of Leaves was first being passed around, it was nothing more than a badly bundled heap of paper, parts of which would occasionally surface on the Internet. No one could have anticipated the small but devoted following this terrifying story would soon command. Starting with an odd assortment of marginalized youth—musicians, tattoo artists, programmers, strippers, environmentalists, and adrenaline junkies—the book eventually made its way into the hands of older generations, who not only found themselves in those strangely arranged pages but also discovered a way back into the lives of their estranged children.Now, for the first time, this astonishing novel is made available in book form, complete with the original colored words, vertical footnotes, and newly added second and third appendices.The story remains unchanged, focusing on a young family that moves into a small home on Ash Tree Lane where they discover something is terribly wrong: their house is bigger on the inside than it is on the outside.Of course, neither Pulitzer Prize-winning photojournalist Will Navidson nor his companion Karen Green was prepared to face the consequences of that impossibility, until the day their two little children wandered off and their voices eerily began to return another story—of creature darkness, of an ever-growing abyss behind a closet door, and of that unholy growl which soon enough would tear through their walls and consume all their dreams.

I wanted to like this book as much as I liked the cover and the title, and I think my first mistake was in expecting it to be a more traditional sort of prose-based narrative. Instead, what I got was...well...Slow Chocolate Autopsy. I didn't enjoy the experience of reading it as much as I thought I would. I did enjoy a few sentences, and a few paragraphs, but nothing held together, aside from one or two stories. "The Articulate Head" and "The Apotheosis of Lea Bride Road" were probably the strongest stories for me. "Careful the Horses Bite" wasn't bad, but the overall problem I had with the book was the monotonous narrative structure: each story seems fragmentary in exactly the same way. There's a poetic cadence to the manner in which Sinclair writes, but it ultimately undermines the stories he's attempting to tell--or not tell, as the case may be: for me, at least. I think this is a problem with structure more than anything else. It was a bit like playing music with a metronome: at some point, you stop playing music and simply listen to the tick-tock of the metronome. That happened to me. By about page 75, I stopped reading the book and simply started measuring the full-sentence to sentence-fragment ratio. For prose, even experimental prose, this doesn't work for me...as it means that once your know the cadence of the writing, you can tap it out on a table-top as an interesting finger-drumming exercise, or you can set your watch to it. Reading it becomes unnecessary and nearly-unpleasant. The prose-based stories are all the same general length. For something experimental, it was oddly rigid and surprisingly uninventive; for a work based on the kind of "psycho-geography" of London, it was opaque and inaccessible for someone not born in London, and yet it held an endless, though somewhat turgid appeal for me. I won't deny that I missed something here, but I think that this is also one of the few failings of the book: as someone not born in London and as someone who doesn't live there, I couldn't find a way into the interconnected/disjointed narratives here: as mood pieces they were great, but I've already gotten wildly inventive, giddy, and intoxicating, emotionally-complex versions of that mood from China Miéville and more disturbing, nauseating, emotionally-engaging takes on the theme by M. John Harrison. In Slow Chocolate Autopsy the prose is beautiful, and that's one of the drawbacks as the book as a whole feels more like an ornate, decorative earring without a person wearing it. The rhythm of the admittedly beautiful (though monotonous prose) seems to render this piece into a kind of percussive, abstract music, as--for me, at least--Sinclair's sentence structures maps out a really interesting drum-beat. If that was the intent of this "novel" then he succeeded, but in terms of the "Norton" stuff, I got no sense of a character residing in a place, but not in any particular time. I felt a profound sense of London, but not a London somehow decoupled from or transcendent to our expectations of how time flows. Cities have been described as eternal, but the impression I got from this book is of a London that is somewhat petrified, vaguely anachronistic, and infinitely grimy.

Ethan Wate used to think of Gatlin, the small Southern town he had always called home, as a place where nothing ever changed. Then he met mysterious newcomer Lena Duchannes, who revealed a secret world that had been hidden in plain sight all along. A Gatlin that harbored ancient secrets beneath its moss-covered oaks and cracked sidewalks. A Gatlin where a curse has marked Lena's family of powerful Supernaturals for generations. A Gatlin where impossible, magical, life-altering events happen.Sometimes life-ending.Together they can face anything Gatlin throws at them, but after suffering a tragic loss, Lena starts to pull away, keeping secrets that test their relationship. And now that Ethan's eyes have been opened to the darker side of Gatlin, there's no going back. Haunted by strange visions only he can see, Ethan is pulled deeper into his town's tangled history and finds himself caught up in the dangerous network of underground passageways endlessly crisscrossing the South, where nothing is as it seems.

2010 novel by Kami Garcia and Margaret Stohl

Step into the neon-soaked underground of 1980s Miami as bizarre messages on your answering machine seem to be urging you to commit terrible acts of violence - b...

One of them is a police officer. The other is possessed by an ancient evil threatening all life on Earth. The horrifying bond between them will continue until s...

Featuring visual artistry and dark imagery with striking cel-shaded graphics, Killer 7 chronicles the connection between two men whose intertwined paths develop...

A mysterious organization is turning the tides of a century-long war with ancient technology - giant combat robots known as Gears. A failed attempt to steal one...

You must gather the souls of fallen warriors and train them to fight at Odin's side. From the creators of STAR OCEAN The Second Story&trade;, Valkyries Profile...

A battle on the streets of New York. The armies of the night number 60,000 strong, and tonight they’re all after The Warriors - a street gang wrongly accused...

Star Wars Battlefront II improves upon the original game's single-player experience with open-ended, mission-based objectives inspired from all six Star Wars fi...

A 400-year-old clue in the coffin of Sir Francis Drake sets a modern-day fortune hunter on an exploration for the fabled treasure of El Dorado, leading to the d...

Set in a dystopian society, someone is kidnapping the children. Krank and his band of clones are using the children to harvest their dreams. Then they kidnap Denree, the brother of One, a fairground strongman. One sets out to find his brother.

1995 film by Jean-Pierre Jeunet, Marc Caro

Actor Riggan Thomson is most famous for his movie role from over twenty years ago of the comic book superhero Birdman in the blockbuster movie of the same name and its two equally popular sequels. His association with the role took over his life, where Birdman is more renowned than "Riggan Thomson" the actor. Now past middle age, Riggan is trying to establish himself as a true artist by writing, directing, starring in and co-producing with his best friend Jake what is his Broadway debut, an adaptation of

Michael Logan is a police detective in London. His area is drugs and this brings him into contact with European drug syndicates. Logan is happy to turn a blind eye to their dealings, for a cut, or confiscate suppliers' merchandise for their own profit. So far he and his equally-crooked police colleagues have done quite well out of this. Then a deal he was planning with a member of a Turkish drug cartel goes sour and the balance of power swings to an Albanian gang, run by two brothers, the Kabashis. Logan quickly aims to provide the Albanians with the same service he provided the Turks, but they aren't easily lead. Meanwhile, he an his colleagues are being investigated by Internal Affairs. Just to make his life more complicated, he has been seconded to a vice task force, run by a former colleague whom he does not get along with.

This edgy Australian film stars an ensemble cast headed up by pop superstar Kylie Minogue, David Field, and Simon Lyndon. Various characters interact under strange circumstances, calling to mind movies such as GO and PULP FICTION.

In a post-apocalyptic future, THE KID, a young solitary scavenger obsessed with comic books must face his fears and become a reluctant hero when he meets a mysterious girl named APPLE. Despite their efforts to keep to themselves, ZEUS, the sadistic and self-proclaimed leader of the Wasteland, plagues THE KID and APPLE. Armed with little more than blind faith and an ancient turbocharged weapon, THE KID learns of justice and friendship and embarks on an incredible journey to rid the Wasteland of evil and save the girl of his dreams.

Thomas A. Anderson is a man living two lives. By day he is an average computer programmer and by night a hacker known as Neo. Neo has always questioned his reality, but the truth is far beyond his imagination. Neo finds himself targeted by the police when he is contacted by Morpheus, a legendary computer hacker branded a terrorist by the government. As a rebel against the machines, Neo must confront the agents: super-powerful computer programs devoted to stopping Neo and the entire human rebellion.

1999 American science fiction action thriller film

The Mantle brothers are both doctors - both gynecologists - and identical twins. Mentally however, one of them is more confident than the other, and always manages to seduce the women he meets. When he's tired of his current partner, she is passed on to the other brother - without her knowing. Everything runs smoothly, until an actress visits their clinic, and the shy brother is the first to fall in love. Will they be able to 'share' her ?

Depicts the early life of the legendary warrior Musashi Miyamoto; his years as an aspiring warrior, an outlaw and finally a true samurai.

Negar and Ashkan, two young Iranian songwriters, decide to set up an underground band and look for other musicians to join them, but the authorities keep putting a spanner in the works. Fed up with being hindered from expressing themselves, the two young people try to get documents to leave the country for Europe.

On the Harrington High School in Ohio, the newcomer Marybeth Louise Hutchinson tries to befriend the outcast Stokely 'Stokes' Mitchell. The quarterback Stan Rosado quits the football team and breaks off with his girlfriend Delilah Profitt, who is the editor of the school newspaper and head cheerleader. Zeke Tyler, who is repeating the senior year and sells drugs to the other students, has an argument with his teacher Elizabeth Burke. When the bullied Casey Connor finds a weird being on the football field, he brings it to his Professor Edward Furlong that finds that the unknown specimen lives in the water and has the ability of replicating. Later, Delilah brings Casey, who is the photographer of the newspaper and has a crush on her, to the faculty room to snoop around and find any evidence for a story, they need to hide in a closet when Coach Joe Willis and the teacher Karen Olson arrive. Delilah and Casey witness the coach and the teacher attacking Nurse Rosa Harper and they stumble with the corpse of Mrs. Jessica Brummel, who has recently died, in the closet. They call the police but are discredited by Principal Valerie Drake. On the next morning, Casey discloses to Delilah, Stokely and Stan that he believes that aliens are taking over the planet through their high school. Zeke and Marybeth overhear the conversation and join the group. Further they discover that the aliens need water to survive and Zeke's drug is diuretic and kills them. But the problem is who can be trusted in the group.

As a child, Ali Neuman narrowly escaped being murdered by Inkatha, a militant political party at war with Nelson Mandela's African National Congress. Only he and his mother survived the carnage of those years. But as with many survivors, the psychological scars remain. Today, Ali is chief of the homicide branch of the South African police in Cape Town. One of his staff is Brian Epkeen, a free-wheeling white officer whose family was originally involved in the establishment of apartheid but who works well with Neuman. Together they have to deal with crime that inevitably exists in sprawling areas of un- and under- employed people, crime exacerbated by gangs, both local and from other parts of Africa. Their job gets even more difficult when the corpses of two young women are found. A new evil has been introduced in the city and a new drug has been introduced to its residents, including both murder victims. At the chaotic crossroads where brutality and modernization collide, the echoes of apartheid still resound in the shadows of a society struggling toward reconciliation.

From the creators of The Matrix and blockbuster producer Joel Silver (Lethal Weapon series) comes this ground-breaking feature-length collection of nine original short films. Inspired by the visionary action and innovative storytelling of the Matrix trilogy, The Animatrix melds state-of-the-art CG animation and Japanese Anime in feature-quality shorts by seven world-renowned directors. Delve deep into the heart of The Matrix through visually stunning and emotionally resonant stories that reveal new details, including the war between humans and machines which led to the creation of the Matrix. Featuring the voices of Keanu Reeves (The Devil's Advocate, Speed) and Carrie-Anne Moss (Chocolat, Memento). Winner of the 2003 Annie Award for Outstanding Achievement in an Animation Home Entertainment Production.

The Weiss family is the archetypical Hollywood dynasty: father Stafford is an analyst and coach, who has made a fortune with his self-help manuals; mother Cristina mostly looks after the career of their son Benjie, 13, a child star. One of Stafford's clients, Havana, is an actress who dreams of shooting a remake of the movie that made her mother, Clarice, a star in the 60s. Clarice is dead now and visions of her come to haunt Havana at night... Adding to the toxic mix, Benjie has just come off a rehab program he joined when he was 9 and his sister, Agatha, has recently been released from a sanatorium where she was treated for criminal pyromania and befriended a limo driver Jerome who is also an aspiring actor.

Paul Rivers, an ailing mathematician lovelessly married to English émigré; Christina Peck, who's hiding a secret past; and Jack Jordan, an ex-convict who has found Jesus are brought together by a terrible accident which changes their lives.

2003 film directed by Alejandro González Iñárritu

Because of his eccentric habits and bafflingly strange films, director

In NYC's Chinatown, recluse math genius Max (Sean Gullette) believes "everything can be understood in terms of numbers," and he looks for a pattern in the system as he suffers headaches, plays Go with former teacher Sol Robeson (Mark Margolis), and fools around with an advanced computer system he's built in his apartment. Both a Wall Street company and a Hasidic sect take an interest in his work, but he's distracted by blackout attacks, hallucinations, and paranoid delusions..

In 1999, Los Angeles is racial war zone with the army and LSPD and SWAT officers fighting Afro-American people. The former cop Lenny Nero is a dealer of illegal recording in CDs that gives the memories and sensations of the recorder to the user. He buys the recordings from the supplier Tick; he misses his former mistress Faith, who was a hooker and now is a singer; his best friend is the private eye Max Peltier and the limousine driver Lornette 'Mace' Mason, who has unrequited love for him. Two days before the turn of the century, the black rapper Jeriko One is murdered. The hooker Iris seeks Lenny out but there is an incident and they do not talk to each other. However she drops a recording into Lenny's car while he unsuccessfully tries to meet Faith at a night-club. However her boyfriend Philo Gant does not let them talk. When Lenny learns that Iris was sadistically raped and killed, he gets involved in a sick scheme and discovers dirty hidden secrets.

1995 science fiction film directed by Kathryn Bigelow

A Christlike figure wanders through bizarre, grotesque scenarios filled with religious and sacrilegious imagery. He meets a mystical guide who introduces him to seven wealthy and powerful people, each representing a planet in the Solar system. These seven, along with the protagonist, the guide and the guide's assistant, divest themselves of their worldly goods and form a group of nine who will seek the Holy Mountain, in order to displace the gods who live there and become immortal.

The body of a young girl (Laura Palmer) is washed up on a beach near the small Washington state town of Twin Peaks. FBI Special Agent Dale Cooper is called in to investigate her strange demise only to uncover a web of mystery that ultimately leads him deep into the heart of the surrounding woodland and his very own soul.

American drama television series from 1990–1991

An innovative look at the life of fictional Mafia Capo Tony Soprano, this serial is presented largely first person, but additional perspective is conveyed by the intimate conversations Tony has with his psychotherapist. We see Tony at work, at home, and in therapy. Moments of black comedy intersperse this aggressive, adult drama, with adult language, and extreme violence.

1934, America. The Dustbowl. A fugitive named Ben Hawkins finds refuge within a traveling carnival comprised of a tarot card reader and her catatonic/telekinetic mother, a blind mentalist, a bearded lady, and conjoined twins, amongst others. The carnival is owned by the mysterious and unseen Management, who has designs on the young Hawkins, for the boy is concealing an untapped gift: he can heal the lame and raise the dead--at a price. Ben also finds himself disturbed by cryptic and prophetic dreams, which he shares with a Methodist preacher in California, Brother Justin Crowe. Brother Justin, convinced by his dreams he is following God's will, has begun to practice his own extraordinary talents, although the preacher's plans increasingly lead to disturbing and tragic consequences. In this "last great age of magic," Ben Hawkins and Justin Crowe are moving toward a great conflict between Good and Evil, although it not yet clear on which sides these men will stand.

Somewhere, lost in the clouded annals of history, lies a place that few have seen. A mysterious place called The Unknown... Two Brothers, Wirt and Greg find themselves lost in the strange woods, adrift in a time. With the help of a shadowy Woodsmen and a foul-tempered bluebird named Beatrice, they travel through the foggy land in Hope of finding a way home.

Honnouji Academy is forcefully ruled by the iron-fisted control of its student council and its president, Satsuki Kiryuuin. Transfer student, Ryuuko Matoi, arrives on campus carrying a giant sword, that is actually half of a scissor. She is looking for the woman who holds the other half of her sword who killed her father. It is said that Satsuki Kiryuuin knows the identity of the killer but when Ryuuko confronts her she is beaten by the student council and their powerful "goku uniforms" whom she cannot match in strength. However, once Ryuuko receives her own "Kamui" by the name of Senketsu , the odds are lifted in her favor.

anime television series produced by Trigger

The Social Welfare agency, a government sponsored corporation is in the business for saving orphaned or abandoned children who are terminally ill or injured beyond the point of saving. Using cybernetic implants, the Agency uses a process called 'conditioning' to turn orphaned children into emotionless killing machines with hardly any memories, no human comfort and worst of all, no free will. The girls who make up the assassination unit within the Social Welfare agency are Henrietta, Triela, Claes, Rico and Angelica, all whom have shady backgrounds which led to their involvement with the agency. Each girl is skilled in martial arts, weapons and tactics, demolitions, foreign languages, espionage and counter-terrorism, skills that are necessary when dealing with terrorism, illegal arms deals or even crime organizations who have a serious stranglehold on the country of Europe. But while these girls are the perfect weapons against these types of everyday problems, they must constantly do their best to hold on to what little pieces of their humanity they have left, as they are being forced to commit cold-blooded murder, sometimes even killing innocent people who get in the way. Jose, Henrietta's handler doesn't like the way she and the other girls are being treated as tools for massacre and it pains him everyday to see Henrietta and her friends having to go through this type of life. But if Henrietta and the others want to live to see tomorrow, they have to play the guinea pigs and earn their keep, by getting their hands dirty for the Social Welfare agency, who is responsible for giving them their second chance at life. Because if they don't play by the agency's rules...they will die.

Two families, the Graystones and the Adamas, live together on a peaceful planet known as Caprica, where a startling breakthrough in artificial intelligence brings about unforeseen consequences.

Set in a world only minutes from our own, "Black Mirror", a UK and USA non-hosted anthology series; unveils how modern technologies can backfire and be used against their makers, every episode set in a slightly different reality with different characters combating different types of technologies. The series ran from 2011 until 2019.

Explores the early relationship between renowned psychiatrist Hannibal Lecter and a young FBI criminal profiler who is haunted by his ability to empathize with serial killers.

In 2012, Louisiana State Police Detectives Rust Cohle and Martin Hart are brought in to revisit a homicide case they worked in 1995. As the inquiry unfolds in present day through separate interrogations, the two former detectives narrate the story of their investigation, reopening unhealed wounds, and drawing into question their supposed solving of a bizarre ritualistic murder in 1995. The timelines braid and converge in 2012 as each man is pulled back into a world they believed they'd left behind. In learning about each other and their killer, it becomes clear that darkness lives on both sides of the law.

Twelve year old Tui Mitcham, daughter of the local drug lord, is pulled from the freezing waters of a South Island lake in New Zealand. She is discovered to be pregnant and won't say who the father is. Then she disappears. Robin Griffin is a gutsy but inexperienced detective called in to investigate. But as Robin becomes more and more obsessed with the search for Tui, she slowly begins to realise that finding the girl is tantamount to finding herself - a self she has kept well-hidden.

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