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Picture of a movie: Big Fish
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Big Fish
2004
United Press International journalist Will Bloom and his French freelance photojournalist wife Josephine Bloom, who is pregnant with their first child, leave their Paris base to return to Will's hometown of Ashton, Alabama on the news that his father, Edward Bloom, stricken with cancer, will soon die, he being taken off chemotherapy treatment. Although connected indirectly through Will's mother/Edward's wife, Sandra Bloom, Will has been estranged from his father for three years since his and Josephine's wedding. Will's issue with his father is the fanciful tales Edward has told of his life all his life, not only to Will but the whole world. As a child when Edward was largely absent as a traveling salesman, Will believed those stories, but now realizes that he does not know his father, who, as he continues to tell these stories, he will never get to know unless Edward comes clean with the truth before he dies. On the brink of his own family life beginning, Will does not want to be the kind of father Edward has been to him. One of those stories from Edward's childhood - that he saw his own death in the glass eye of a witch - led to him embracing life since he would not have to fear death knowing when and how it would eventually come. The question is whether Will will be able to reconcile Edward's stories against his real life, either directly from Edward before he dies and/or from other sources, and thus allow Will to come to a new understanding of himself and his life, past, present and future.
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Picture of a book: Interview with the Vampire
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Interview with the Vampire
Anne Rice
This is the story of Louis, as told in his own words, of his journey through mortal and immortal life. Louis recounts how he became a vampire at the hands of the radiant and sinister Lestat and how he became indoctrinated, unwillingly, into the vampire way of life. His story ebbs and flows through the streets of New Orleans, defining crucial moments such as his discovery of the exquisite lost young child Claudia, wanting not to hurt but to comfort her with the last breaths of humanity he has inside. Yet, he makes Claudia a vampire, trapping her womanly passion, will, and intelligence inside the body of a small child. Louis and Claudia form a seemingly unbreakable alliance and even "settle down" for a while in the opulent French Quarter. Louis remembers Claudia's struggle to understand herself and the hatred they both have for Lestat that sends them halfway across the world to seek others of their kind. Louis and Claudia are desperate to find somewhere they belong, to find others who understand, and someone who knows what and why they are.Louis and Claudia travel Europe, eventually coming to Paris and the ragingly successful Theatre des Vampires--a theatre of vampires pretending to be mortals pretending to be vampires. Here they meet the magnetic and ethereal Armand, who brings them into a whole society of vampires. But Louis and Claudia find that finding others like themselves provides no easy answers and in fact presents dangers they scarcely imagined.Originally begun as a short story, the book took off as Anne wrote it, spinning the tragic and triumphant life experiences of a soul. As well as the struggles of its characters, Interview captures the political and social changes of two continents. The novel also introduces Lestat, Anne's most enduring character, a heady mixture of attraction and revulsion. The book, full of lush description, centers on the themes of immortality, change, loss, sexuality, and power.source: annerice.com
Picture of a book: No One Writes to the Colonel
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No One Writes to the Colonel
Gabriel García Márquez
A retired colonel, a small rooster, and a seventy five year patience.In a desolate shantytown in the middle of nowhere, on a military controlled zone, endures with great hardships an old retired colonel. A dangerously declining health, an aging wife with recurring asthmatic attacks, a house slowly coming down to pieces, a son lost to the revolution. All his hopes are focused on the arrival of news regarding his veteran pension, that seems never to come; and a little cockfighting rooster, that seems to be the strongest of all three.A short novella about the unbreakable will of the eternally patient, and the penurious conditions of a hardly day-to-day living.Interesting, readable, but not exceptionally enjoyable. I've been wanting to read Gabo again for some time now; I've read a lot of his books, but this is sadly not the one I loved most. And I still have "One hundred years of solitude" on tbr. I know, unforgivable.Still remaining, the movie (1999).Until next time,-----------------------------------------------Un coronel retirado, un pequeño gallo, y una paciencia de setenta y cinco años.En una desolada villa en el medio de la nada, en una zona controlada por milirates, sobrevive a duras penas un viejo retirado coronel. Una salud peligrosamente declinante, una envejecida esposa con recurrentes crisis asmáticas, una casa cayéndose lentamente a pedazos, un hijo muerto en la revolución. Todas sus esperanzas se centran en la llegada de alguna noticia sobre la pensión de veterano que parece nunca llegar; y en un pequeño gallo de peleas, que parece ser el más fuerte de los tres.Una corta novella sobre la voluntad inquebrantable del eterno paciente, y las penurias de sobrevivir difícilmente día a día.Interesante, leíble, pero no excepcionalmente disfrutable. Hace mucho tiempo que tenía ganas de volver a leer Gabo, pero lamentablemente éste no es el libro que más voy a recordar de él. Y todavía me debo leer "Cien años de soledad". Lo sé, imperdonable.Queda pendiente la película (1999).Hasta la próxima,
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