Emo Nemo

Mily

Sarah

Shaidrian Rios

Jimmy Beans

miCCwatreSSop

Julie Wynne - videos

Kapuster

Nicky Tallon

Harini Sen

Vastralaya

Evan Shively (Perseus271)

You can find an alternative cover edition for this ISBN here and here.A rich selection of background and source materials is provided in three areas: Contexts includes probable inspirations for Dracula in the earlier works of James Malcolm Rymer and Emily Gerard. Also included are a discussion of Stoker's working notes for the novel and "Dracula's Guest," the original opening chapter to Dracula. Reviews and Reactions reprints five early reviews of the novel. "Dramatic and Film Variations" focuses on theater and film adaptations of Dracula, two indications of the novel's unwavering appeal. David J. Skal, Gregory A. Waller, and Nina Auerbach offer their varied perspectives. Checklists of both dramatic and film adaptations are included.Criticism collects seven theoretical interpretations of Dracula by Phyllis A. Roth, Carol A. Senf, Franco Moretti, Christopher Craft, Bram Dijkstra, Stephen D. Arata, and Talia Schaffer.A Chronology and a Selected Bibliography are included.

It's been eighteen months since the Raxter School for Girls was put under quarantine. Since the Tox hit and pulled Hetty's life out from under her.It started slow. First the teachers died one by one. Then it began to infect the students, turning their bodies strange and foreign. Now, cut off from the rest of the world and left to fend for themselves on their island home, the girls don't dare wander outside the school's fence, where the Tox has made the woods wild and dangerous. They wait for the cure they were promised as the Tox seeps into everything.But when Byatt goes missing, Hetty will do anything to find her, even if it means breaking quarantine and braving the horrors that lie beyond the fence. And when she does, Hetty learns that there's more to their story, to their life at Raxter, than she could have ever thought true.

I recently went to Las Vegas for the first, and probably only, time in my life. I hadn't read this book in years, and previously, it hadn't even been my favorite Hunter S. Thompson work. Thompson is dearly missed by many people, and on a personal level, I miss him deeply. He spoke to a true astonishment at the complete, unrelenting fuckedupedness of America and her politics, and he did it with a bite that was deserved and unmatched. He probably could have been a very rich super-novelist of popular, uninspired filth. He probably could have been a brilliant novelist of any kind. But he chose to do what he did, and he did it better than any of his generation. Like Mark Twain, he chronicled American stupidity in the tongue of his generation, and he captured it perfectly, from the insanity of the drug experience to the depravity of American politics. For years, no work of his stood out to me as much as Fear and Loathing on the Campaign Trail '72 or the Gonzo letters. Fear and Loathing in Las Vegas, to me, wasn't his best work. Then I went to Vegas. Suddenly, all the subtle differences between this and his other work made sense, and I realized that he had captured the true tackiness of the truest tacky city on the entire planet (though Dubai with their fucking Island fantasies are likely to take over soon). Fear &amp; Loathing in Las Vegas IS Las Vegas. It's a nightmare, a joke, a blunder of comical, cosmically-fucked proportions. It's not Sin City. It's where Sin goes to die when it's embarrassed for itself. It's where families go on vacations with ten-year-olds, children who get handed fliers for prostitutes. It's the living, pulsing, filthing embodiment of the Holy Dollar. It's sensory overload on a scale drugs can't equal, a place where you almost have to take a brimful of Valium and a pint of ether to feel normal and not feel utterly ashamed at the state of the human condition. It would make you want to blow your brains out if it weren't so goddamned fun, even if you're gay, you hate gambling and hookers make your brain itch. Yet you never, ever feel like it is evil or subversive or curious in any way. It's just about a buck, and every other blink reminds you of it. This is a place where Hunter S. Thompson could easily mingle with a law enforcement convention and not get noticed. This is a place where a lawyer could leave you with a hotel bill. This is a place where no questions get asked because no answers would make sense, and the only thing profound about any of it is that you know, on a gut level, that all the oil used to produce all the plastic used to build that city no doubt funded an island shaped like Australia that was built off the coast of the UAE over the weekend. This novel will never cease to be important, and one day, as a cultural artifact of a forgotten culture from a forgotten nation, it will be one of the most important anthropological pieces in existence. I wish he'd survived the Bush administration. We need this man.NC

Austrian playwright and novelist (1931-1989)

Oceana Wardlaw Martin Snead (September 1885 – November 29, 1909) also known as Ocey Snead, was an American woman who was drugged and drowned in East Orange, New Jersey by her own family to collect $32,000 (equivalent to $870,000 in 2017) in insurance money.
Oceana was born in September 1885, probably in New York City, to Caroline B. Wardlaw (c. 1850–1913), and Colonel Robert Maxwell Martin, who had fought for the Confederacy in the American Civil War. Her mother had a career in education, at one point being removed from a position due to unstable behavior. She got her nickname, Ocey, because she frequently garbled her real name in her baby talk.
Caroline Wardlaw had three sisters. The elder sister was Mary E. Long Wardlaw (1849–1937), who married Fletcher Tillman Snead (1829–1891). Together they produced a son, Fletcher Wardlaw Snead (1875–1955), who was Ocey's first cousin and would become her husband. The second sister was Virginia Oceana Wardlaw (1852–1910), who never married. Both sisters were also involved in education and were also implicated in Ocey's murder. The third sister, who was not implicated in the death, was Bessie Gertrude Wardlaw (1867–1954) who married Richard Spindle (1855–1928).

A mysterious stranger and his retinue have astonished the locals of Stalin’s Moscow with the magic show to end all magic shows and have quite literally set the town alight. But what’s the real purpose behind their visit?

Mrs Dalloway (published on 14 May 1925) is a novel by Virginia Woolf that details a day in the life of Clarissa Dalloway, a fictional high-society woman in post–First World War England. It is one of Woolf's best-known novels.Created from two short stories, "Mrs Dalloway in Bond Street" and the unfinished "The Prime Minister", the novel addresses Clarissa's preparations for a party she will host that evening. With an interior perspective, the story travels forward and back in time and in and out of the characters' minds to construct an image of Clarissa's life and of the inter-war social structure. In October 2005, Mrs Dalloway was included on Time's list of the 100 best English-language novels written since Time debuted in 1923.

The hero-narrator of The Catcher in the Rye is an ancient child of sixteen, a native New Yorker named Holden Caulfield. Through circumstances that tend to preclude adult, secondhand description, he leaves his prep school in Pennsylvania and goes underground in New York City for three days. The boy himself is at once too simple and too complex for us to make any final comment about him or his story. Perhaps the safest thing we can say about Holden is that he was born in the world not just strongly attracted to beauty but, almost, hopelessly impaled on it. There are many voices in this novel: children's voices, adult voices, underground voices-but Holden's voice is the most eloquent of all. Transcending his own vernacular, yet remaining marvelously faithful to it, he issues a perfectly articulated cry of mixed pain and pleasure. However, like most lovers and clowns and poets of the higher orders, he keeps most of the pain to, and for, himself. The pleasure he gives away, or sets aside, with all his heart. It is there for the reader who can handle it to keep. J.D. Salinger's classic novel of teenage angst and rebellion was first published in 1951. The novel was included on Time's 2005 list of the 100 best English-language novels written since 1923. It was named by Modern Library and its readers as one of the 100 best English-language novels of the 20th century. It has been frequently challenged in the court for its liberal use of profanity and portrayal of sexuality and in the 1950's and 60's it was the novel that every teenage boy wants to read.

The unforgettable novel of a childhood in a sleepy Southern town and the crisis of conscience that rocked it, To Kill A Mockingbird became both an instant bestseller and a critical success when it was first published in 1960. It went on to win the Pulitzer Prize in 1961 and was later made into an Academy Award-winning film, also a classic.Compassionate, dramatic, and deeply moving, To Kill A Mockingbird takes readers to the roots of human behavior - to innocence and experience, kindness and cruelty, love and hatred, humor and pathos. Now with over 18 million copies in print and translated into forty languages, this regional story by a young Alabama woman claims universal appeal. Harper Lee always considered her book to be a simple love story. Today it is regarded as a masterpiece of American literature.

Les Enfants Terriblesis a 1929 novel by Jean Cocteau, published by Editions Bernard Grasset. It concerns two siblings, Elisabeth and Paul, who isolate themselves from the world as they grow up, an isolation which is shattered by the stresses of their adolescence. It was first translated into English by Samuel Putnam in 1930 and published by Brewer & Warren Inc. A later English translation was made by Rosamond Lehmann in 1955, and published by New Directions (ISBN 0811200213) in the U.S., and Mclelland & Stewart in Canada in 1966, with the title translated asThe Holy Terrors. The book is illustrated by the author's own drawings.It was made into a film of the same name, a collaboration between Cocteau and director Jean-Pierre Melville in 1950, and inspired the opera of the same name by Philip Glass. The balletLa Boule de Neigeby the choreographer Fabrizio Monteverde with music of Pierluigi Castellano is based on this novel. The story was adapted by the writer Gilbert Adair for his 1988 novelThe Holy Innocents, which was the basis for the 2003 filmThe Dreamersdirected by Bernardo Bertolucci.

Regarded by many as the finest, and funniest, comic novel of the twentieth century, Lucky Jim remains as trenchant, withering, and eloquently misanthropic as when it first scandalized readers in 1954. This is the story of Jim Dixon, a hapless lecturer in medieval history at a provincial university who knows better than most that “there was no end to the ways in which nice things are nicer than nasty ones.” Kingsley Amis’s scabrous debut leads the reader through a gallery of emphatically English bores, cranks, frauds, and neurotics with whom Dixon must contend in one way or another in order to hold on to his cushy academic perch and win the girl of his fancy.More than just a merciless satire of cloistered college life and stuffy postwar manners, Lucky Jim is an attack on the forces of boredom, whatever form they may take, and a work of art that at once distills and extends an entire tradition of English comic writing, from Fielding and Dickens through Wodehouse and Waugh. As Christopher Hitchens has written, “If you can picture Bertie or Jeeves being capable of actual malice, and simultaneously imagine Evelyn Waugh forgetting about original sin, you have the combination of innocence and experience that makes this short romp so imperishable.”

Alternate cover for this ISBN can be found here"A green hunting cap squeezed the top of the fleshy balloon of a head. The green earflaps, full of large ears and uncut hair and the fine bristles that grew in the ears themselves, stuck out on either side like turn signals indicating two directions at once. Full, pursed lips protruded beneath the bushy black moustache and, at their corners, sank into little folds filled with disapproval and potato chip crumbs."Meet Ignatius J. Reilly, the hero of John Kennedy Toole's tragicomic tale, A Confederacy of Dunces. This 30-year-old medievalist lives at home with his mother in New Orleans, pens his magnum opus on Big Chief writing pads he keeps hidden under his bed, and relays to anyone who will listen the traumatic experience he once had on a Greyhound Scenicruiser bound for Baton Rouge. ("Speeding along in that bus was like hurtling into the abyss.") But Ignatius's quiet life of tyrannizing his mother and writing his endless comparative history screeches to a halt when he is almost arrested by the overeager Patrolman Mancuso--who mistakes him for a vagrant--and then involved in a car accident with his tipsy mother behind the wheel. One thing leads to another, and before he knows it, Ignatius is out pounding the pavement in search of a job.Over the next several hundred pages, our hero stumbles from one adventure to the next. His stint as a hotdog vendor is less than successful, and he soon turns his employers at the Levy Pants Company on their heads. Ignatius's path through the working world is populated by marvelous secondary characters: the stripper Darlene and her talented cockatoo; the septuagenarian secretary Miss Trixie, whose desperate attempts to retire are constantly, comically thwarted; gay blade Dorian Greene; sinister Miss Lee, proprietor of the Night of Joy nightclub; and Myrna Minkoff, the girl Ignatius loves to hate. The many subplots that weave through A Confederacy of Dunces are as complicated as anything you'll find in a Dickens novel, and just as beautifully tied together in the end. But it is Ignatius--selfish, domineering, and deluded, tragic and comic and larger than life--who carries the story. He is a modern-day Quixote beset by giants of the modern age. His fragility cracks the shell of comic bluster, revealing a deep streak of melancholy beneath the antic humor. John Kennedy Toole committed suicide in 1969 and never saw the publication of his novel. Ignatius Reilly is what he left behind, a fitting memorial to a talented and tormented life.

Slaughterhouse-Five, or, The Children's Crusade: A Duty-Dance with Death is a 1969 semi-autobiographic science fiction-infused anti-war novel by Kurt Vonnegut. It follows the life and experiences of Billy Pilgrim, from his early years, to his time as an American soldier and chaplain's assistant during World War II, to the post-war years, with Billy occasionally traveling through time. The text centers on Billy's capture by the German Army and his survival of the Allied firebombing of Dresden as a prisoner of war, an experience which Vonnegut himself lived through as an American serviceman. The work has been called an example of "unmatched moral clarity" and "one of the most enduring anti-war novels of all time".

Sylvia Plath's shocking, realistic, and intensely emotional novel about a woman falling into the grip of insanity. Esther Greenwood is brilliant, beautiful, enormously talented, and successful, but slowly going under—maybe for the last time. In her acclaimed and enduring masterwork, Sylvia Plath brilliantly draws the reader into Esther's breakdown with such intensity that her insanity becomes palpably real, even rational—as accessible an experience as going to the movies. A deep penetration into the darkest and most harrowing corners of the human psyche, The Bell Jar is an extraordinary accomplishment and a haunting American classic.

Alternate Cover Edition ISBN: 0743273567 (ISBN13: 9780743273565)The Great Gatsby, F. Scott Fitzgerald's third book, stands as the supreme achievement of his career. This exemplary novel of the Jazz Age has been acclaimed by generations of readers. The story is of the fabulously wealthy Jay Gatsby and his new love for the beautiful Daisy Buchanan, of lavish parties on Long Island at a time when The New York Times noted "gin was the national drink and sex the national obsession," it is an exquisitely crafted tale of America in the 1920s.The Great Gatsby is one of the great classics of twentieth-century literature.(back cover)

I don’t know what to do with these stars anymore. I give stars to books and then I think, ‘god, you give five stars to everything, people will think you are terribly undiscriminating’ – so then I give four stars or even three stars to some books. Then I look back and it turns out that that I’ve given four stars to Of Human Bondage and honestly, how could I possibly have thought it was a good idea to give that book less than five stars? It is the absurdity of human conventions that has us doing such things.Now, that is what is called a segue, from the Italian ‘seguire’ – to follow. For the last thirty years I have studiously avoided reading this book. I have done that because for the last thirty years I have known exactly what this book is about and there just didn’t seem any point in reading it. In high school friends (one of them even became my ex-wife) told me it was a great book about a man condemned to die because he was an outsider. Later I was told that this book was a story about something much like the Azaria Chamberlain case. A case where someone does not react in a way that is considered to be ‘socially appropriate’ and is therefore condemned.But after 30 years of avoiding reading this book I have finally relented and read it. At first I didn’t think I was going to enjoy it. It didn’t really get off to the raciest of starts and the character's voice – it is told in first person – was a bit dull. He is a man who lives entirely in the present, how terribly Buddhist of him – although, really there doesn’t seem to be all that much to him.My opinion of the book began to change at his mother’s funeral. I particularly liked the man who kept falling behind in the march to the cemetery and would take short cuts. Okay, so it is black humour, but Camus was more or less French – so black humour is more or less obligatory.I really hadn’t expected this book to be nearly so funny as it turned out. I’d always been told it was a ponderous philosophical text – and so, to be honest, I was expecting to be bored out of my skull. I wasn’t in the least bit bored.A constant theme in my life at present is that I read ‘classics’ expecting them to be about something and they end up being about something completely different. And given I’ve called this a ‘constant’ theme then you might think I would be less than surprised when a read a new ‘classic’ and it turns out to be completely different to my expectations. I’m a little more upset about this one than some of the others, as I’ve been told about this one before, repeatedly, and by people I’d have taken as ‘reputable sources’ – although, frankly, how well one should trust one’s ex-wife in such matters is moot.I had gotten the distinct impression from all of my previous discussions about this book that the guy ends up dead. In fact, this is not the case – he ends up at the point in his life where he has no idea if he will be freed or not. The Priest who comes to him at the end is actually quite certain that he will be freed. Let’s face it, he is only guilty of having murdered an Arab, and as we have daily evidence, Westerners can murder Arabs with complete impunity. The main point of the book to me is when he realises he is no longer ‘free’. He needs this explained to him – because life up until then had been about ‘getting used to things’ and one can 'get used to just about anything'. But the prison guard helpfully informs him that he is being ‘punished’ and the manifestation of that punishment is the removal of his ‘freedom’. Interestingly, he didn’t notice the difference between his past ‘free’ life and his current ‘unfree’ one. The most interesting part of the book to me was the very end, the conversation with the priest. The religious often make the mistake of thinking that Atheists are one thing – I’ve no idea how they ever came to make this mistake, but make it they do. Given that there are thousands upon thousands of different shades of Christians – from Jesuit Catholics to Anti-Disney Episcopalians – it should be fairly obvious that something like Atheism (without any ‘organised’ church or even system of beliefs) could not be in anyway ‘homogeneous’.I am definitely not the same kind of Atheist as Camus. To Camus there is no truth, the world is essentially absurd and all that exists is the relative truth an individual places on events and ideas. This makes the conversation with the priest fascinatingly interesting. To the priest the prisoner who is facing death is – by necessity – someone who is interested in God. You can play around with ideas like the non-existence of God when it doesn’t seem to matter (life is long and blasphemy can seem fun) – but surely when confronted with the stark truth of the human condition any man would turn away from their disbelief and see the shining light.Not this little black duck. Now, if I was in that cell I would have argued with the priest too – but I would not have argued in the same way that Meursault argues. No, I do not believe in God, but I do believe in truth, and so Camus’ arguments are barred to me.Meursault essentially says, “Look, I’m bored, I’m totally uninterested in the rubbish you are talking – now go away”. Now, this is a reasonable response. What is very interesting is that the priest cannot accept this as an answer. The world is not allowed to have such a person in it – if such a person really did exist then it would be a fundamental challenge to the core beliefs of the priest. So, he has to assume Meursault is either lying to him or is trying to taunt him. But it is much worse – he is absolutely sincere, he is not interested in this ‘truth’.I don’t know that the world is completely meaningless, it is conventional rather than meaningless. That those conventions are arbitrary (decided by the culture we grew up in) doesn’t make them meaningless, it makes them conventional. I don’t think I would like to live in a world where people go up and kill Arabs pretty much at random and with impunity, but then again, we have already established this is precisely the world I do live in. My point is that it would be better if we did adhere to some sort of moral principles and that these should be better principles than ‘he should be killed because he didn’t cry at his mum’s funeral’. Camus is seeking to say that all of our ‘moral principles’ in the end come to be as meaningless as that – we judge on the basis of what we see from the framework of our own limited experience. And look, yes, there is much to this – but this ends up being too easy.The thing I like most about Existentialism, though it isn’t really as evident in this book as it is in the actual philosophy – although this is something that Meursault is supposed to have grown to understand (sorry, just one more sub-clause) even though this wasn’t something I noticed at all while reading the book, was the notion of responsibility. I didn’t think in the end Meursault was all that much more ‘responsible’ for his actions than he had been at the start. But I do think that ‘responsibility’ is a key concept in morality and one that seems increasingly to be ignored.Better by far that we feel responsible for too much in our lives than too little – better by far that we take responsibility for the actions of our governments (say) than to call these governments ‘them’. I’m not advocating believing in The Secret - but that if one must err, better to err on the side of believing you have too much responsibility for how your life has turned out, rather than too little.So, what can I say? I enjoyed this much more than I expected – but I’m still glad I waited before reading it, I really don’t think I would have gotten nearly as much out of it at 15 as I did now.

Heart of a Dog (Russian: Собачье сердце, Sobachye syerdtsye) is a novella by Russian author Mikhail Bulgakov. A biting satire of Bolshevism, it was written in 1925 at the height of the NEP period, when communism appeared to be relaxing in the Soviet Union. 
It is generally interpreted as an allegory of the Communist revolution and "the revolution's misguided attempt to radically transform mankind." Its publication was initially prohibited in the Soviet Union, but it circulated in samizdat until it was officially released in the country in 1987. 
The novella has become a cultural phenomenon in Russia, known and discussed by people "from schoolchildren to politicians."
It has become a subject of critical argument, was filmed in Russian and Italian-language versions, and was adapted in English as a play and an opera.

Dostoevsky’s most revolutionary novel, Notes from Underground marks the dividing line between nineteenth- and twentieth-century fiction, and between the visions of self each century embodied. One of the most remarkable characters in literature, the unnamed narrator is a former official who has defiantly withdrawn into an underground existence. In complete retreat from society, he scrawls a passionate, obsessive, self-contradictory narrative that serves as a devastating attack on social utopianism and an assertion of man’s essentially irrational nature.Richard Pevear and Larissa Volokhonsky, whose Dostoevsky translations have become the standard, give us a brilliantly faithful edition of this classic novel, conveying all the tragedy and tormented comedy of the original.

The Dutch famine of 1944, known as the Hongerwinter ("Hunger winter") in Dutch, was a famine that took place in the German-occupied part of the Netherlands, especially in the densely populated western provinces north of the great rivers, during the winter of 1944–45, near the end of World War II. A German blockade cut off food and fuel shipments from farm areas. Some 4.5 million were affected and survived because of soup kitchens. As many as 22,000 may have died because of the famine; one author estimated 18,000. Loe de Jong (1914–2005), author of The Kingdom of the Netherlands During World War II, estimated at least 22,000 deaths. Most of the victims were reported to be elderly men.The famine was alleviated by the liberation of the area by the Allies in May 1945. Prior to that, bread baked from flour shipped in from Sweden, and the airlift of food by the Royal Air Force, the Royal Canadian Air Force, and the U.S. Army Air Force – under an agreement with the Germans that if the Germans did not shoot at the mercy flights, the Allies would not bomb the German positions – helped to mitigate the famine. This was Operations Manna and Chowhound. Operation Faust also trucked in food to the area.

Wide Sargasso Sea, a masterpiece of modern fiction, was Jean Rhys’s return to the literary center stage. She had a startling early career and was known for her extraordinary prose and haunting women characters. With Wide Sargasso Sea, her last and best-selling novel, she ingeniously brings into light one of fiction’s most fascinating characters: the madwoman in the attic from Charlotte Brontë’s Jane Eyre. This mesmerizing work introduces us to Antoinette Cosway, a sensual and protected young woman who is sold into marriage to the prideful Mr. Rochester. Rhys portrays Cosway amidst a society so driven by hatred, so skewed in its sexual relations, that it can literally drive a woman out of her mind.A new introduction by the award-winning Edwidge Danticat, author most recently of Claire of the Sea Light, expresses the enduring importance of this work. Drawing on her own Caribbean background, she illuminates the setting’s impact on Rhys and her astonishing work.

Todo el mundo sabe que soy un ferviente admirador de Fiódor Dostoievski y el hecho de que un grande de la literatura como Albert Camus haya tenido a “Los Demonios”, del gran autor ruso como uno de los libros que más lo influenciaron en su carrera hizo que esa admiración fuera más grande aún. Y Camus, a quien ya leí en “El extranjero”, “La peste”, “El mito de Sísifo” y “El exilio y el reino “ y “La caída”, sigue maravillándome por su estilo literario tan particular. No vamos a dudar de que Dostoievski influenció a muchos autores. Tal vez el caso de Franz Kafka sea uno de los más emblemáticos puesto que el gran autor checo se sentía identificado en muchas de las enseñanzas que Dostoievski dejó en sus libros.Albert Camus quería hacer algo en parte como homenaje a Dostoievski y a “Los Demonios” y por otro lado por lo que las ideas expuestas en el libro significaban para él, ya que tuvo directa implicancia en su obra. En su libro “El mito de Sísifo”, que el autor publicara en 1942, ya incluía un capítulo dedicado a Alexéi Nilich Kirilov, uno de los personajes más particulares de “Los demonios”, en donde se ahondaba en las cuestiones acerca del nihilismo, el suicidio y el absurdo. Camus escribió una adaptación del libro en una obra de teatro que llegó a tener su representación el 30 de enero de 1959 en el Teatro Antoine de París. Adjunto un link de youtube en donde Camus habla sobre el nihilismo y su obra: https://www.youtube.com/watch?v=bSG1N...Para dicha adaptación, además de “Los Demonios”, utilizó el texto de “La Confesión de Stavroguin” (cuadro decimocuarto de la obra) y diversos textos que Dostoievski escribió durante la creación de su propio libro.Leer “Los Poseídos” es tener acceso a una reseña perfecta del libro original sin perder esta, su brillo propio, ya que todos los hechos más sobresalientes fueron incluidos aunque no todos fueron representados en escena. Tan solo unos pocos de los son transformados en comentarios puesto que no alteran al desarrollo de la obra. Con respecto a los personajes, la gran parte de los que aparecen en el libro estarán presentes en ella. Me agradó muchísimo volver a encontrarme con todos ellos. Redescubrir los ideales nihilistas de Piotr Stepánovich Verjovenski, por ejemplo, en ese famoso axioma que Dostoievski posteriormente desarrollaría en Iván Karamazov: “Si Dios es una mentira, entonces estamos solos y somos libres. Usted se mata, usted prueba que es libre, y ya no hay Dios. Pero para eso tiene que matarse”.De hecho, los cuatro demonios más importantes dominan la obra en escena, como dijera anteriormente Piotr Verjovenski, el malvado y contradictorio Nikólai Vsevolódovich Stavroguin, quien es todo un caso aparte, de hecho es parte de un libro paralelo a “Los Demonios” (“La Confesión de Stavroguin"), Alexéi Nilich Kirilov, nihilista y existencialista y también Shátov, el estudiante en constante búsqueda de Dios, este último tiene un especial afecto para mí, puesto que sus ideales son más que puros. Lo veo como una especie de mártir necesario para que los argumentos de ambos libros tengan la coherencia necesaria. Ninguno de los personajes secundarios (Dasha, Lizaveta, Lebiadkin, Maria Timofeievna, Várvara Stavroguina y Stepan Trofímovich Verjovensky) faltan en la obra. El caso de Kirilov, que como comentaba, ya había formado parte de una capítulo de su ensayo es llevado a escena pero poniéndole Camus un toque de impronta "mersaultiana" en su carácter nihilista. Kirilov tiene pensado suicidarse en “Los Poseídos” también, pero su estado de ánimo tendrá más desasosiego que el original de “Los Demonios”. Este es un suicida que siente que no tiene más para dar en la vida. Simplemente demostrar su ateísmo y basar su doctrina nihilista en el suicidio como acto de negación a Dios. Llegando al final de la obra ya nada le importa. Al de Dostoievski, todavía le queda algo de lucha interna. Pero a este Kirilov no, dado que ya selló su destino cuando hablando con el narrador Grigoreiev le dice: “Vivir o morir es indiferente".He disfrutado mucho nuevamente de un libro de Camus, ya que sigue sorprendiéndome y haciendo crecer en mí la admiración que me genera leer sus libros. Realmente me alegra descubrir que tanto Albert Camus como yo...¡queremos tanto a Dostoievski!

Monkey Island 2: LeChuck's Revenge is an adventure game developed and published by LucasArts in 1991. A sequel to 1990's The Secret of Monkey Island, it is the second game in the Monkey Island series. It was the sixth LucasArts game to use the SCUMM engine, and the first game to use the iMUSE sound system. In it, pirate Guybrush Threepwood searches for the legendary treasure of Big Whoop and again faces off against the pirate LeChuck, who is now a zombie.The development team for Monkey Island 2 was largely the same as for The Secret of Monkey Island. The project was led by Ron Gilbert, who was again joined by Tim Schafer and Dave Grossman. The game was a critical success, but a commercial failure. By the time another sequel was released six years later, Gilbert, Schafer, and Grossman had all left LucasArts. Future installments in the series were developed by different creative teams, and used different artistic and gameplay styles. A "Special Edition" remake of Monkey Island 2 was released in 2010, following a similar remake of the first game.

Ganon, the King of Evil, breaks free from the Dark World and captures Hyrule's beloved Princess Zelda. Before she is caught, Zelda manages to shatter the Trifor...

Myst is a graphic adventure designed by the Miller brothers, Robyn and Rand. It was developed by Cyan, Inc., published by Broderbund, and initially released in 1993 for the Macintosh. In the game, the player travels via a special book to a mysterious island called Myst. From there, solving puzzles allows the player to travel to other worlds ("Ages"), which reveal the backstory of the game's characters and help the player make the choice of whom to aid. The player interacts with objects and walks to different locations by clicking on pre-rendered imagery.

The Secret of Monkey Island is a 1990 point-and-click graphic adventure game developed and published by Lucasfilm Games. It takes place in a fictional version of the Caribbean during the age of piracy. The player assumes the role of Guybrush Threepwood, a young man who dreams of becoming a pirate, and explores fictional islands while solving puzzles.

A criminal pleads insanity and is admitted to a mental institution, where he rebels against the oppressive nurse and rallies up the scared patients.

1975 drama film based on the novel by Ken Kesey

Sketches include Dave starring in his own video game. Plus, Dave introduces 'The Playa Haters' Club', and Dave's take on Japanese monster movies with 'Blackzilla!'.

A radio host interprets the possible outbreak of a deadly virus which infects the small Ontario town he is stationed in.

Two men attempt to prove they committed the perfect crime by hosting a dinner party after strangling their former classmate to death.

In a future world devastated by disease, a convict is sent back in time to gather information about the man-made virus that wiped out most of the human population on the planet.

1995 American science fiction film by Terry Gilliam

In the 25th century, a time when people have designations instead of names, a man, THX 1138, and a woman, LUH 3417, rebel against their rigidly-controlled society.

1971 dystopian science fiction movie directed by George Lucas

In 1983, financially struggling college student Samantha Hughes takes a strange babysitting job that coincides with a full lunar eclipse. She slowly realizes her clients harbor a terrifying secret, putting her life in mortal danger.

A single mother and her child fall into a deep well of paranoia when an eerie children's book titled "Mister Babadook" manifests in their home.

2014 horror film written and directed by Jennifer Kent

A young woman is forced to return to her childhood home after being placed under house arrest, where she suspects that something evil may be lurking.

During the final days at the Yankee Pedlar Inn, two employees determined to reveal the hotel's haunted past begin to experience disturbing events as old guests check in for a stay.

A woman and her sister begin to link a mysterious tunnel to a series of disappearances, including that of her own husband.

2011 horror film directed by Mike Flanagan

A man imprisons his estranged junkie friend in an isolated cabin in the boonies of San Diego to force him through a week of sobriety, but the events of that week are being mysteriously manipulated.

A young woman is followed by an unknown supernatural force after a sexual encounter.

2014 horror film by David Robert Mitchell

Four friends/fledgling entrepreneurs, knowing that there's something bigger and more innovative than the different error-checking devices they've built, wrestle over their new invention.

2004 American science fiction drama film directed by Shane Carruth

A clerk in a government agency finds his unenviable life takes a turn for the horrific with the arrival of a new co-worker who is both his exact physical double and his opposite - confident, charismatic and seductive with women.

2013 British film directed by Richard Ayoade

In 1990, to protect his fragile mother from a fatal shock after a long coma, a young man must keep her from learning that her beloved nation of East Germany as she knew it has disappeared.

Strange things begin to happen when a group of friends gather for a dinner party on an evening when a comet is passing overhead.

Jerry Lundegaard's inept crime falls apart due to his and his henchmen's bungling and the persistent police work of the quite pregnant Marge Gunderson.

1996 film directed by Ethan and Joel Coen

An undercover cop and a mole in the police attempt to identify each other while infiltrating an Irish gang in South Boston.

2006 American crime thriller film directed by Martin Scorsese

As corruption grows in 1950s Los Angeles, three policemen - one strait-laced, one brutal, and one sleazy - investigate a series of murders with their own brand of justice.

Boomtown 2019, also known as Boomtown Chapter 11: A Radical City, is the 2019 production of an immersive annual five-day theatrical music festival that takes place near Winchester, Hampshire on the Matterley Estate in South Downs National Park. Boomtown Chapter 11 took place from Wednesday, 7 August, until Sunday, 11 August 2019.Chapter 11 saw the introduction of the Relic stage, in place of the old Banghai Towers. The new stage design features giant flora as if the structure, abandoned in the canon, was being reclaimed by nature.The area previously known as Sector 6 was also re-worked into a techno and acid house district known as Area 404 and themed as a post-apocalyptic world. The area features the Acid Leak, Fallout Disco, and SP32 stages and the previous Sector 6 stage was rebranded into Nucleus.

TNSrecords (also known as TNS and That's Not Skanking) is a DIY Record Label based in Manchester, United Kingdom, founded in 2008 by Revenge of the Psychotronic Man bassist/vocalist Andy Psychotronic, along with a personal friend of his, Tim Bevington. They specialise in Punk rock and Ska, though they also have included some Heavy metal acts. TNS produce a free Fanzine, arrange gigs in Manchester and run TNSradio, a podcast featuring music from their own and other, similar artists from around the world. They have organised showcase gigs in Leeds, Macclesfield, and Blackpool. They are sometimes referred to as TNS Records, but the correct name is TNSrecords.
According to their website TNS is run based on the following core principles:

A pixie (also pixy, pixi, pizkie, piskie and pigsie as it is sometimes known in Cornwall) is a mythical creature of folklore. Pixies are considered to be particularly concentrated in the high moorland areas around Devon and Cornwall, suggesting some Celtic origin for the belief and name.Akin to the Irish and Scottish Aos Sí, pixies are believed to inhabit ancient underground ancestor sites such as stone circles, barrows, dolmens, ringforts or menhirs.In traditional regional lore, pixies are generally benign, mischievous, short of stature and attractively childlike; they are fond of dancing and gather outdoors in huge numbers to dance or sometimes wrestle, through the night, demonstrating parallels with the Cornish plen-an-gwary and Breton Fest Noz (Cornish: troyl) folk celebrations originating in the medieval period.
In modern times they are usually depicted with pointed ears, and often wearing a green outfit and pointed hat although traditional stories describe them wearing dirty ragged bundles of rags which they happily discard for gifts of new clothes. Sometimes their eyes are described as being pointed upwards at the temple ends. These, however, are Victorian era conventions and not part of the older mythology.

An idiosyncratic FBI agent investigates the murder of a young woman in the even more idiosyncratic town of Twin Peaks.

American drama television series from 1990–1991

A sci-fi anthology series with stand-alone episodes based on the works of Philip K. Dick.

science fiction television anthology series based on the works of Philip K. Dick

A cynical young woman in New York City keeps dying and returning to the party that's being thrown in her honor on that same evening. She tries to find a way out of this strange time loop.

Having gone missing seven years ago, the previously blind Prairie returns home, now in her twenties with her sight restored. While many believe she is a miracle, others worry that she could be dangerous.

2016 American mystery drama television series

Set in a dystopian future, a woman is forced to live as a concubine under a fundamentalist theocratic dictatorship.

Elliot, a brilliant but highly unstable young cyber-security engineer and vigilante hacker, becomes a key figure in a complex game of global dominance when he and his shadowy allies try to take down the corrupt corporation he works f

American drama–thriller television series

A family saga with a supernatural twist, set in a German town, where the disappearance of two young children exposes the relationships among four families.

A computer engineer investigates the secretive development division in her company, which she believes is behind the disappearance of her boyfriend.

American drama thriller television miniseries

The townspeople who live above "The Loop," a machine built to unlock and explore the mysteries of the universe, experience things previously consigned to the realm of science fiction.

One year after the violent eruption of the subglacial volcano Katla, the peace and tranquility in the small town of Vik is dramatically disturbed.

Blackadder is a series of four period British sitcoms, plus several one-off instalments, which originally aired on BBC One from 1983 to 1989. All television episodes starred Rowan Atkinson as the antihero Edmund Blackadder and Tony Robinson as Blackadder's dogsbody, Baldrick. Each series was set in a different historical period, with the two protagonists accompanied by different characters, though several reappear in one series or another, e.g., Melchett (Stephen Fry) and Lord Flashheart (Rik Mayall).The first series, The Black Adder, was written by Richard Curtis and Rowan Atkinson, while subsequent series were written by Curtis and Ben Elton. The shows were produced by John Lloyd. In 2000, the fourth series, Blackadder Goes Forth, ranked at 16 in the 100 Greatest British Television Programmes, a list created by the British Film Institute. In a 2001 poll by Channel 4, Edmund Blackadder was ranked third on their list of the 100 Greatest TV Characters. In the 2004 TV poll to find Britain's Best Sitcom, Blackadder was voted the second-best British sitcom of all time, topped by Only Fools and Horses. It was also ranked as the 9th-best TV show of all time by Empire magazine.

This captivate documentary covers the struggles of the Yugoslavian people during the collapse of their country, and the subsequent wars to finally find hope with the signing of the Final Peace Accords.

Ordinary people find themselves in extraordinarily astounding situations, which they each try to solve in a remarkable manner.

In a small French mountain town where everyone knows each other, the dead begin to inexplicably return as if their death never happened. Forcing the townsfolk to confront their difficult past as they seek to understand this phenomeno

French supernatural drama television series

An anthology series exploring a twisted, high-tech multiverse where humanity's greatest innovations and darkest instincts collide.

Charlie Brooker's Screenwipe is a British television review programme created and presented by Charlie Brooker and broadcast on BBC Four. The programme contains reviews of current shows, as well as stories and commentary on how television is produced.Screenwipe is presented by comedian Charlie Brooker, who reviews other British television programmes with a caustic and humorous tone. Brooker analyses specific programmes and genres, regularly making jokes about how programmes are created. Brooker often pays particular attention to more obscure channels on satellite, Freeview and cable, such as those dedicated to gambling, shopping, horoscopes and pornography. He explores the probable effects of television on society and the feelings programmes can create in the viewer. One segment of each show is usually dedicated to positive reviews, with analysis on why the style and content are so absorbing.

Set in the corridors of power and spin, the Minister for Social Affairs is continually harassed by Number 10's policy enforcer and dependent on his not-so-reliable team of civil servants.

Mark and Jez are a couple of twenty-something roommates who have nothing in common - except for the fact that their lives are anything but normal. Mayhem ensues as the pair strive to cope with day-to-day life.

A British sketch comedy show where people in ordinary situations suddenly find themselves in absurd situations.

Bernard Black runs a book shop, though his customer service skills leave something to be desired. He hires Manny as an employee. Fran runs the shop next door. Between the three of them many adventures ensue.

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