Awaiting his trial on charges of impiety and heresy, Socrates encounters Euthyphro, a self-proclaimed authority on matters of piety and the will of the gods. Socrates, desiring instruction in these matters, converses with Euthyphro, but as usual, the man who professes to know nothing fares better than the man who claims to be an expert. One of Plato’s well-known Socratic Dialogues, Euthyphro probes the nature of piety, and notably poses the so-called Euthyphro Dilemma: Do the gods love a thing because it is holy, or is a thing holy because it is loved by the gods?

[Penguin Readers Level 4]Winston Smith lives in a society where the government controls people every second of the day. He fights this world with love. But it's dangerous: love for another person can be punished by death - and Big Brother is always watching.Orwell's classic story shows that there is no freedom unless ideas and beliefs can be questioned. This is as true today as when it was written, more than fifty years ago.

First published in Plato: Complete Works, Donald J. Zeyl's masterful translation of Timaeus is presented along with his 75 page introductory essay, which discusses points of contemporary interest in the Timaeus, deals at length with long-standing and current issues of interpretation, and provides a consecutive commentary on the work as a whole. Includes an analytic table of contents and a select bibliography.

Critias was an ancient Athenian political figure and author. Born in Athens, Critias was the son of Callaeschrus and a first cousin of Plato's mother Perictione. He became a leading and violent member of the Thirty Tyrants.

Celebrity Death Match Special: Plato's Phaedo versus Philip José Farmer's To Your Scattered Bodies Go[Riverworld. Night. Numerous people are gathered around a campfire, including RICHARD BURTON, ALICE PLEASANCE LIDDELL, PLATO, BENJAMIN JOWETT, DANTE, DAVID HUME and FRIEDRICH NIETZSCHE. BURTON is addressing the others.]BURTON: ... And for tonight's entertainment, as a unique favor, Plato has consented to perform for us Phaedo, his justly celebrated account of the death of Socrates. Professor Jowett, with some little assistance from Alice and myself, has undertaken the task of helping the great philosopher render his immortal words into English. Over to you, Plato!PLATO: Thank you, my friends. I will begin at once. Echecrates: Were you yourself, Phaedo, in the prison with Socrates on the day when he drank the poison? Phaedo: Yes, Echecrates, I was...[His audience listen spellbound as PLATO tells the story. Finally he concludes]PLATO: ... he said - they were his last words - he said: Crito, I owe a cock to Asclepius; will you remember to pay the debt? The debt shall be paid, said Crito; is there anything else? There was no answer to this question; but in a minute or two a movement was heard, and the attendants uncovered him; his eyes were set, and Crito closed his eyes and mouth. Such was the end, Echecrates, of our friend; concerning whom I may truly say, that of all the men of his time whom I have known, he was the wisest and justest and best.[A moment of silence. Many people are weeping unashamedly. Then rapturous applause.]PLATO: Thank you, thank you, thank you. You are all too kind.A MAN IN THE CROWD: Hey, wait a minute.BURTON: Who are you?THE MAN: [his hood is over his face, muffling his voice] We'll talk about that later. What I want to know is, can we rely on this tale?BURTON: My dear sir, are you presuming to doubt the word of Plato?THE MAN: I am. He says he wasn't even there to witness the death of his great teacher and friend "because he was sick". Is that correct?PLATO: I, uh, yes...THE MAN: And what was wrong with you? PLATO: Never been certain... really wasn't feeling at all well that day... perhaps some bad shellfish...THE MAN: A likely story.BURTON: This is an outrage. How dare you address the greatest philosopher of antiquity - indeed, of all time - in these terms? Once again, who are you?THE MAN: [throwing back his hood] If you want to know, I'm Socrates. And the piece you have just heard is nothing but a concoction of embellishments, half-truths and outright lies. Young Plato, you should be ashamed of yourself.[General consternation]BURTON: Plato, is this true? Do you recognize him?PLATO: I, uh, I'm not sure... been a long time...THE MAN: Honestly, Plato. Well, let me explain the absurd nature of my former student's claims. First of all, this disquisition on the nature of identity and comparison. Does that sound like something I would say? In your dialogue Euthydemus, you correctly report me as making fun of the sophists who enjoy this kind of argument. NIETZSCHE: Eet is true. I haf always vundered...THE MAN: Thank you Fred. Nice to see I have some supporters here. Second, your long demonstration of the immortality of the soul. I still can't believe you had the nerve to do this. I always say I know nothing and doubt everything. Suddenly, I'm telling people I have proof - proof, I ask you! of these things which obviously no one can ever be certain about.HUME: Well said, sir!THE MAN: Thank you David. Third, that description of the underworld, complete with all major geographical features and a ridiculously detailed account of which people will end up where. Words fail me. Is it likely that I would be spouting this nonsense?DANTE: Prego, signore. I like-a thees part very much, I make it da basis of great--THE MAN: Sure, sure, sure. Dante, your epic is fantastic. Best thing since Homer. But the point is, it's poetry. I'm a philosopher. If anyone here doesn't understand the difference, they should leave right now.DANTE: Ah, scusi. Scusi.THE MAN: It's okay Dante. This is between me and Plato, right? So finally, my enigmatic last words. Why do you suppose I asked Crito to sacrifice a cock to Asclepius?NIETZCHE: On zees too, I haf much vundered. Perhaps, you are zanking zee god for curing you of zee sickness of life--THE MAN: It's much simpler. I just thanked the jailer for getting the dose right and not cocking it up. But as usual, Plato couldn't resist the urge to improve my words.PLATO: I--THE MAN: Yes?PLATO: You are Socrates. I recognize you now. I'm sorry. Please forgive me. I-- I meant well, you understand.SOCRATES: I know you did, Plato. I shouldn't have given you such a hard time. Come here.[They embrace]SOCRATES: But don't do it again, okay?PLATO: I won't. I promise. And I am truly sorry.SOCRATES: Apology accepted. [He digs PLATO in the ribs] "Apology", geddit? [They both laugh uproariously] SOCRATES: Now let's find a tavern. We've got two thousand years of drinking to catch up on.Match point: Philip José Farmer

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The Apology of Socrates is Plato's version of the speech given by Socrates as he unsuccessfully defended himself in 399BCE against the charges of "corrupting the young, and by not believing in the gods in whom the city believes, but in other daimonia that are novel" (24b). "Apology" here has its earlier meaning (now usually expressed by the word "apologia") of speaking in defense of a cause or of one's beliefs or actions.The revised edition of this popular textbook features revised vocabulary and grammatical notes that now appear on the same page as the text, sentence diagrams, principal parts of verbs listed both by Stephanus page and alphabetically, word frequency list for words occurring more than twice, and complete vocabulary.

On the Wall Street of the 1980s, Bud Fox is a stockbroker full of ambition, doing whatever he can to make his way to the top. Admiring the power of the unsparing corporate raider Gordon Gekko, Fox entices Gekko into mentoring him by providing insider trading. As Fox becomes embroiled in greed and underhanded schemes, his decisions eventually threaten the livelihood of his scrupulous father. Faced with this dilemma, Fox questions his loyalties.

Trevor Reznik is a machinist in a factory. An extreme case of insomnia has led to him not sleeping in a year, and his body withering away to almost nothing. He has an obsessive compulsion to write himself reminder notes and keep track of his dwindling weight, both scribbled on yellow stickies in his apartment. The only person he lets into his life in an emotional sense is Stevie, a prostitute, although he has an infatuation with Maria, a single mother waitress working in an airport diner. His co-workers don't associate with and mistrust him because of not knowing what is going on in his life that has led to his emaciated physical appearance. A workplace incident further alienates him with his coworkers, and in conjunction with some unfamiliar pieces of paper he finds in his apartment, Trevor believes that someone or some people - probably one or some of his coworkers - are out to get him, using a phantom employee named Ivan as their front. As Trevor goes on a search for evidence as to Ivan's schemes and whereabouts, Trevor may come to a true understanding of what has caused his insomnia.

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