When John Cave, a mortician by trade, appears on television to declare that death is infinitely preferable to life, he sparks a religious movement that quickly leaves Christianity and most of Islam in the dust. Aided by a relentless public-relations campaign and supported by a "theology" whipped into existence by a historian besotted with love for one of Cave's alluring disciples, Cave's message proves irresistible. Things really start to get out of hand, however, when the notion of "voluntary death" creeps into the doctrine and the world's population is invited to depart from life in "pleasant establishments". A deft and daring blend of satire and prophecy first published in 1954, Messiah eerily anticipates the excesses of Jim Jones, David Koresh, and "Do", the guru of Heaven's Gate.

Messiah

Boredom, more specifically the boredom of power which is a self-willed condition. Religion, particularly religion spawned in someplace like California, has a frisson of adventurous novelty that has proved itself attractive to bored middle class Americans for decades - even during the 1950’s.   And I’d bet that boredom is the driving root-motivation behind the phenomenon of the Deplorables. Combine cultural ennui with lack of education and it’s a situation tailor-made for the cult of Trump - bored, stupid fanatics frightened of their diminishing power.  * A common misconception is that the Christian Scriptures created the Church. This is historically incorrect. The early Church in its various manifestations carefully chose which texts it would consider as canonical and which heretical. I think it’s therefore accurate to say that Church and text evolved together. ** 1984  was first published in 1949;  The Messiah  in 1954.

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Messiah

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